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In his pre-war painting, stylistic concerns were of secondary importance to Magritte, whose main interest was in ideas or propositions about the world; for example, many of his paintings explore the relation between objects and words or between the image of an object and the object itself. He deliberately cultivated a cold, unemotive, ‘style-less’ style. This quality renders the images of violence and macabre sexuality in some of his works all the more disturbing. His own ‘impressionist’ and vache (ugly, crude) pictures of the 1940s have been rediscovered in the last few years by a younger generation of painters and critics keenly responsive to the later work of other masters of parody and allusion such as Picabia and de Chirico.
Richard Calvocoressi's highly successful introduction to Magritte was first published in 1979 and revised and enlarged by the addition of notes to the colour plates and many black-and-white illustrations.
- Format: Paperback
- Size: 305 x 225 mm (12 x 8 7/8 in)
- Pages: 128 pp
- Illustrations: 50 illustrations
- ISBN: 9780714827605
On the Colour Library Series
"Ideal introductions for students and museum-goers."—Independent
"Phaidon’s excellent Colour Library series: [...] a good introduction to nearly 50 key artists and movements in art history."—Antiques Trade Gazette
"The Phaidon Colour Library Series provides an invaluable introduction to key artists and movements in art history."—Art & Craft
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