AUD$89.95 CAD$99.95 €75.00 £45.00 T75.00 USD$75.00
From the late 1950s to the late 1960s the word 'Pop'described any example of art, film, photography and architectural design that engaged with the new realities of mass production and the mass media. In addition to key artworks by Andy Warhol, Roy Lichtenstein, Ed Ruscha, Richard Hamilton and many others, this book includes works of photography and avant-garde film, as well as what the critic Reyner Banham defined as pop architecture, ranging from Alison and Peter Smithson's House of the Future to Archigram's Walking City and Robert Venturi and Denise Scott Brown's Learning from Las Vegas.
This volume is an extensive and eclectic collection of original statements and interviews from established artists (often from rare or out of print sources), crucial writings by critics such as Reyner Banham, Donald Judd and Jonas Mekas and succinct extracts from key contextual writings, from Beat poetry to academic articles on Pop culture.
Edited by an internationally recognized expert on Pop art and culture, this book surveys Pop across all artforms and gives equal coverage to its American, British and European manifestations
Survey: Renowned scholar and critic Hal Foster focuses on the Pop image as it developed over the period: Reyner Banham, The Independent Group and Pop Design; Richard Hamilton and the Tabular Image; Roy Lichtenstein and the Screened Image; Andy Warhol and the Seamy Image; Gerhard Richter and the Photogenic Image; Ed Ruscha and the Cineramic Image; Robert Venturi, Denise Scott Brown and the Postmodern Absorption of Pop.
Works Each image is accompanied by an extended caption. This section is chronologically sequenced:
Revolt into Style (1956–60) surveys the birth of Pop culture and its images, including the American Beat generation artists, photographers and filmmakers; Jasper Johns and Robert Rauschenberg, the French Decollageistes, Richard Hamilton and the ‘British Pop’ of the Independent Group.
Consumer Culture (1960–63) chronicles American Pop’s explosion, from Roy Lichtenstein’s cartoon-based paintings to Claes Oldenburg's Store and Andy Warhol's Factory.
Colonization of the Mind (1963–66) looks at American Pop's reception in Europe, in the work of Gerhard Richter, Sigmar Polke and others.
Spectacular Time (1966–67) surveys late Pop developments, from Warhol's Silver Clouds to Malcolm Morley's Photorealism.
Helter Skelter (1968) documents Pop’s demise and transformation into postmodernism, in projects such as Robert Venturi and Denise Scott Brown’s Learning from Las Vegas.
Documents A compendium of original artists’ statements and interviews, often from hard-to-find, out of print sources; key writings by critics such as Reyner Banham, Donald Judd and Jonas Mekas; short extracts from key contextual writings, from Beat poetry to articles on Pop cultureSpecifications:
Mark Francis is a London-based curator and writer. A director of Gagosian Gallery, he was formerly Chief Curator of the Andy Warhol Museum, Pittsburgh, and its Founding Director. In 2001 he directed and edited the catalogue for the exhibition 'Les Années Pop', Centre Georges Pompidou, Paris.
Hal Foster is Townsend Martin Professor of Art and Archaeology at Princeton University and a former Senior Editor of Art in America. He is the editor of The Anti-Aesthetic: Essays on Postmodern Culture (1983) and Recodings: Art, Spectacle, Cultural Politics (1985), and the author of Compulsive Beauty (1993) and The Return of the Real (1996).
"Modern art and design continues to fillet the movement once known as Pop, so Phaidon’s new monograph is a timely look back... Pop has it all, not just the iconic big-name images... Editor Mark Francis [...] has dug a little deeper and drawn together film, photography and even architecture."—Wallpaper*
"...What makes the book indispensable is the inclusion of documents in which the artists, critics and theorists speak for themselves."—Martin Coomer, Time Out
"If you're looking for last-minute Christmas presents for your art-loving friends, you could do a lot worse than this. Divided into three sections - the survey by Hal Foster, a gazetteer of works and a selection of contemporary documents - this book could replace a whole bookshelf in your art library... It's a formula that should ensure that this book is one of the essential reference works on the Pop-art era."—Mark Rappolt, Modern Painters
"The many strengths of this absorbing, eclectically detailed survey are concentrated most in the cultural historical networking that is achieved between image and text. What results is in part a luxurious and luxuriating immersion in the sheer visual gorgeousness of much Pop material, and in part a digest and directory of Pop's great works, sources and related texts - Pop's greatest hits, so to speak... Pop art ought never to be consigned to some ever-expanding repertoire of stylish retro-aesthetics. It is the cultural link between Surrealism and Postmodernism, and often made statements about the modern world that have yet to be improved, or updated."—Michael Bracewell, Art Monthly
"Phaidon's Themes and Movements series seeks to provide the late 20th-century art history books of the future."—Art Monthly