IC 2118, the Witch’s Head nebula, in Eridanus, 2010

$2,575.00
Silver gelatin print
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  • Medium: Print
  • Dimensions: 24.0 x 20.0 inches
  • Edition size: 100
  • Authentication: All copies are signed and numbered by David Malin
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A unique opportunity to own a limited edition Silver gelatin print by David Malin

Through the use of very long exposures taken with a telescope, Malin reveals stars and constellations too distant to be seen with the naked eye. The Witch’s Head nebula, the subject of this edition’s specially commissioned print, is 800 light years away from Earth in the constellation of Orion. As the colloquial name suggests, this heavenly duststorm has the pointed nose and crooked chin of a fairytale crone. In reality the nebula is quite blue, glowing in light reflected from the super-giant star, Rigel. The dusty formation of the witch’s silhouette is contrasted starkly with the glittering lights of the sky, in an ethereal composition that showcases the most wonderful collaboration between man and nature.

Each limited edition silver gelatin print is simply and elegantly produced and illustrates the breathtaking beauty of this phenomenon. Aside from its scientific importance, the work speaks for itself as one of the most spectacular sights ever caught on film.

Combining the worlds of art and science, David Malin (b.1941) revolutionized our understanding of the universe with his pioneering photographs of space, leading to the discovery of two new types of galaxies and a wide-spread appreciation of other-worldly beauty. His capturing of distant star clusters and nebulae is unsurpassed and he is the foremost photographer of galaxies on a grand scale.

David Malin was formerly Photographic Scientist at the Anglo-Australian Observatory, New South Wales and is currently Adjunct Professor of Scientific Photography at the Royal Melbourne Institute of Technology. Winner of the prestigious Lennart Nilsson prize, his pioneering photographs of space have revolutionized our understanding of the universe.

All our frames are manufactured in the USA, using eco-friendly and sustainably sourced engineered hardwood for durability and a uniform finish that is free of defects. Frames are available in Black or White Satin and Honey Pecan.

All prints are hinged to a conservation quality, acid-free and lignin-free Alpha Cellulose matboard, using an acid-free linen tape. The mat's surface paper is fade and bleed resistant and is attached to a conservation quality foam-core mounting board that will keep the work safe from deterioration over time. Artworks with a deckled or decorative edges will be floated on the matboard, with acrylic spacers to separate the art from the glazing. All mounting is fully reversible, without any potential damage to the art.

All of our frames come with picture quality .090 mm plexiglass, which blocks 66% of UV to prevent color fading from exposure to light, keeping your art protected for years to come. It is now considered the industry standard for artists, museums and galleries throughout the world.

For images up to 30" x 40"

  • 1 1/4” wide, 3/4” deep, with a 2 1/2” wide mat.
  • We generally leave 1/4” - 1/2” of paper showing around the image, to accommodate signatures and for visual appeal.

For sheet sizes larger than 30” x 40" please contact an Artspace advisor for a custom quote.

Our art editions ship in 7 to 10 business days from New York.

Our framed art editions ship in 11 to 14 business days from New York.

This work is eligible for return within 30 days of receipt of delivery.

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Contact an Artspace Advisor at advisor@artspace.com

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