Batty Back Up, 2000

$3,000.00
Fujiflex color print
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  • Medium: Photograph
  • Dimensions: 16.0 x 16.0 inches
  • Edition size: 60
  • Authentication: Signed and numbered
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This photo is emblematic of Wegman's best-known work: humorous photographic depictions of his pet Weimaraners. Batty's deadpan pose and frontal stance is both endearing and comedic, characteristic of Wegman's photographs and videos.

Though initially trained as a painter, William Wegman is best known for his conceptually-driven photographs and videos featuring dogs. An early adopter of video as an artistic medium, Wegman continues to make work that is equally distinguished by its experimentation while simultaneously appealing to a broad audience.

After adopting a Weimeraner named Man Ray in the early 1970s, he embarked on what he describes as a "long and fruitful collaboration" with the canine, featuring his dog in humorous, often contrived scenarios. After Man Ray's death, Wegman's second dog, Fay Ray, and her offspring became the central characters in his work.

Wegman was included in seminal exhibitions of conceptual art such as Live in Your Head: When Attitudes Become Form at the Kunsthalle Bern in 1969 and Documenta V, both curated by Harald Szeemann, and in notable publications like Lucy Lippard's 1973 book Six Years: The Dematerialization of the Art Object and in several issues of the notable artist-run magazine Avalanche in the 1970s.

Wegman's work has been exhibited extensively throughout the United States and abroad, including the 1973 Whitney Annual and the Whitney Biennial in 1981 and 1989. He has been the subject of numerous retrospectives, including William Wegman: Paintings, Drawings, Photographs, Videotapes (Abrams) in 1990, a 20-year survey of his work presented at the Kunstmuseum Lucerne as well as shows at the ICA London, the Stedelijk Museum, the Frankfurt Kunstverein, the Centre Pompidou, the ICA Boston, the Whitney Museum, and the Contemporary Arts Museum in Houston. A more recent retrospective, William Wegman: Funney/Strange (Yale), traveled to the Brooklyn Museum, the Smithsonian American Art Museum, the Norton Museum of Art, and the Wexner Center in 2006.

A retrospective, William Wegman: Hello Nature (catalog: Prestell), began at the Bowdoin College Museum of Art in 2012, will travel to Artipelag in Sweden in 2013.

All our frames are manufactured in the USA, using eco-friendly and sustainably sourced engineered hardwood for durability and a uniform finish that is free of defects. Frames are available in Black or White Satin and Honey Pecan.

All prints are hinged to a conservation quality, acid-free and lignin-free Alpha Cellulose matboard, using an acid-free linen tape. The mat's surface paper is fade and bleed resistant and is attached to a conservation quality foam-core mounting board that will keep the work safe from deterioration over time. Artworks with a deckled or decorative edges will be floated on the matboard, with acrylic spacers to separate the art from the glazing. All mounting is fully reversible, without any potential damage to the art.

All of our frames come with picture quality .090 mm plexiglass, which blocks 66% of UV to prevent color fading from exposure to light, keeping your art protected for years to come. It is now considered the industry standard for artists, museums and galleries throughout the world.

For images up to 30" x 40"

  • 1 1/4” wide, 3/4” deep, with a 2 1/2” wide mat.
  • We generally leave 1/4” - 1/2” of paper showing around the image, to accommodate signatures and for visual appeal.

For sheet sizes larger than 30” x 40" please contact an Artspace advisor for a custom quote.

Our art editions ship in 7 to 10 business days from New York.

Our framed art editions ship in 11 to 14 business days from New York.

This work is eligible for return within 30 days of receipt of delivery.

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