Untitled, 2024

Artspace in partnership with the New Orleans Museum of Art (NOMA) is pleased to present a new limited edition mirrored glass multiple by internationally acclaimed artist Jean-Michel Othoniel.

Known for his evocative glass sculptures, Othoniel has employed his signature medium to create a variable edition of 20 mirrored glass bricks. Each edition comprises two self-standing bricks in three distinct color pairings: green and purple, green and gold, and purple and gold.

Othoniel explores themes of transformation and resilience through his work, often utilizing modular forms and reflective materials to investigate shifting perspectives and the dimensionality of emotion. In his new edition, lustrous mirrored glass and rich hues imbue a familiar geometric form with ephemerality, playing with light to create fluid contours and colorscapes. Proceeds from the sale of Untitled, 2024 will directly benefit the New Orleans Museum of Art.

Born in 1964 in Saint-Etienne, France, Jean-Michel Othoniel has been inventing a universe with multiple contours since the late 1980s.

1993 marked a turning point in his work when he began using glass. Collaborating with the finest artisan glassblowers in Murano, he explored the properties of a material that has since become his hallmark to poeticize and re-enchant the world. More recently, his work has taken on an architectural dimension, engaging with gardens or historical sites through public or private commissions around the world.

Jean-Michel Othoniel had major exhibitions all over the world since his participation to the Documentain Kassel in 1992. He had an important retrospective at the Centre Georges Pompidou in Paris entitled “My Way” then shown at the Leeum Samsung Museum of Art/Plateau in Seoul, then in 2012 at the Hara Museum of Contemporary Art in Tokyo, the Macao Museum of Art in Macao and the Brooklyn Museum in New York.

He exhibited in museum and garden at Petit Palais in Paris in 2021, at the Seoul Museum of Art in 2022, at the Brooklyn Botanic Garden in 2023 and at the Sara Hilden Museum in Finland in 2024.

Since his first public commission in Paris in 2000, Le Kiosque des Noctambules, his work has been shown equally in museums and in the public space including an exceptional project of three fountain sculptures in gilded glass in the gardens at the Château de Versailles, Les Belles Danses, but also Alfa, an installation for the new National Museum of Qatar of 114 fountain sculptures. In 2019 a new series of paintings entered the permanent collection of the Musée du Louvre. In 2023, he created his first bridge in a magnificent garden close by Paris as well as an impressive fountain in the South of France.

His works can be found in the world’s best contemporary art museums, foundations and private collections.

Othoniel just opened a new solo show at the Museo Oscar Niemeyer, Brazil and is working on 3 new solo shows for 2025, at the Long Museum Shanghai in April and at La Malmaison museum in Cannes, France in May. He is also preparing his biggest exhibition ever for the city of Avignon, France in June 2025 where he will take over 10 museums with more than 200 works.

Othoniel is represented by Perrotin, Kukje, and Simoes de Assis.

All our frames are manufactured in the USA, using eco-friendly and sustainably sourced engineered hardwood for durability and a uniform finish that is free of defects. Frames are available in Black or White Satin and Honey Pecan.

All prints are hinged to a conservation quality, acid-free and lignin-free Alpha Cellulose matboard, using an acid-free linen tape. The mat's surface paper is fade and bleed resistant and is attached to a conservation quality foam-core mounting board that will keep the work safe from deterioration over time. Artworks with a deckled or decorative edges will be floated on the matboard, with acrylic spacers to separate the art from the glazing. All mounting is fully reversible, without any potential damage to the art.

All of our frames come with picture quality .090 mm plexiglass, which blocks 66% of UV to prevent color fading from exposure to light, keeping your art protected for years to come. It is now considered the industry standard for artists, museums and galleries throughout the world.

For images up to 30" x 40"

• 1 1/4” wide, 3/4” deep, with a 2 1/2” wide mat.
• We generally leave 1/4” - 1/2” of paper showing around the image, to accommodate signatures and for visual appeal.

For sheet sizes larger than 30” x 40" please contact an Artspace advisor for a custom quote.

Our art editions ship in 7 to 10 business days from New York.

Our framed art editions ship in 11 to 14 business days from New York.

This work is eligible for return within 30 days of receipt of delivery.

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Contact an Artspace Advisor at advisor@artspace.com