Any of your pictures in this artist's works?

Penelope Umbrico gathers together thousands of similar images from photo-sharing sites and elsewhere
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Suns (from Sunsets) from Flickr, by Penelope Umbrico
Suns (from Sunsets) from Flickr, by Penelope Umbrico

Penelope Umbrico is a collector well suited to the internet age. Instead of scouring flea markets, antiques fairs and jumble sales for her finds, she uses search engines, stock photo libraries and Flickr, to pick out her selections. She's collected everything from 'Instances of Books as Pedestals' to 'Dogs on Pillows,' as well as lots and lots of pictures of the sun.

Umbrico was first inspired to produce her photo collages when searching for 'sunset' on Flickr back in 2006. After typing in the term she discovered 541,795 matches. Umbrico printed each image out and assembled them into one wall-size collage of photographs for Suns (From Sunsets) from Flickr (2006 - on-going) and Sunset Portraits (2010 - on-going).

 

Sunset Portraits, 2010-ongoing, by Penelope Umbrico
Sunset Portraits, 2010-ongoing, by Penelope Umbrico

"My focus on collective practices in photography has led me to examine subjects that are collectively photographed," Umbrico says. "I take the sheer quantity of images online as a collective archive that represents us - a constantly changing auto-portrait."

Umbrico, who has shown her work at the International Center of Photography in New York and MoMA San Francisco, extended this peculiar artistic technique to take in commercial imagery, when she began gathering photographs from home-décor and improvement websites and catalogues, also in 2006.

 

Instances of Books Being Read (from home decor and home improvement websites and catalogues) 2007 by Penelope Umbrico
Instances of Books Being Read (from home decor and home improvement websites and catalogues) 2007 by Penelope Umbrico

"In one Pottery Barn catalogue, I counted 241 pillows in its 176 pages," Umbrico explains. "I then painted over the content of the room with house paint (house paint being a medium that erases the personal traces and history on the walls of domestic spaces), leaving only the abundant fluffy, airy pillows."

In Umbrico's Flickr sunsets, each image looks as it if was taken to capture the world's natural beauty; collected together, is that beauty amplified or diminished? Certainly, in her series 36 Copyrighted Suns/Screengrabs she demonstrates our current drive to price and assert ownership on everything. "Taken from stock photography sites, Copyrighted Suns/Screengrabs, points to the absurdity in trying to 'own' the image of the sun," Umbrico says.

 

Instances of Books as Pedestals (from home decor and home improvement websites and catalogues) 2007 by Penelope Umbrico
Instances of Books as Pedestals (from home decor and home improvement websites and catalogues) 2007 by Penelope Umbrico

Some travel photographers might disagree, yet there's no denying Umbrico has captured something about the way we choose to photograph and preserve the world. Labelling each of her Flickr sunset works with the number of results she got on the day she made that work, the titles have increased in size each time she has created a new edition. The first gallery edition in 2007 had 2,303,057 results and the most recent had 8,730,221.

"The title itself [is] becoming a comment on the ever-increasing use of web-based photo communities," Umbrico says. "I think it's peculiar that the sun, the quintessential life giver, constant in our lives, symbol of enlightenment, spirituality, eternity, all things unreachable and ephemeral, omnipotent provider of warmth, optimism and vitamin D, and so universally photographed, finds expression on the internet, the most virtual of spaces equally infinite but within a closed electrical circuit."

 

36 Copyrighted Sunds, 2009 - 2011 by Penelope Umbrico
36 Copyrighted Sunds, 2009 - 2011 by Penelope Umbrico

See more of her work here. For a greater understanding how photos have been preserved and published over the years, take a look at our Photography Book, a visually engaging, fully comprehensive and self-contained overview of the form. To browse through a similar collection of landscapes from a pre-internet age, take a look at Martin Parr's Boring Postcards.


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