I Don’t Live Here Anymore, 1995/2022

Artspace and Phaidon are pleased to release a new limited edition photographic print by pioneering multidisciplinary artist Ugo Rondinone . Entitled I Don’t Live Here Anymore , this edition comes with a signed and numbered label adhered to the back and is limited to only 30 prints which is presented together with the artist’s new Contemporary Artist Series monograph published by Phaidon.

I Don’t Live Here Anymore (1995/2022) was originally created in 1995 and belongs to Rondinone’s compelling body of work with the same name. Both timeless and prescient, the series subverts iconic images of fashion models by superimposing his own likeness onto the subjects’ forms, resulting in a fluid mix of masculinity and femininity, familiarity and ambiguity.

"Rondinone’s work is based on a dialectical project focused on contrasts - not to say contradictions - with inside and outside, day and night, the personal and the impersonal, openness and closure…private and public, veiled and unveiled, being constantly combined." - Erik Verhooven, from the Phaidon monograph

Ugo Rondinone (b. 1964, Brunnen, Switzerland) is known for wide-ranging mixed-media installations that include sculpture, painting, video, sound, and photography. Rondinone’s monumental land art installation “Seven Magic Mountains” in the Nevada desert has become a landmark art destination for thousands of visitors daily. He has been the subject of recent institutional exhibitions globally, including: Auckland Art Gallery, New Zealand; Tate Liverpool, UK; Bass Museum of Art, Miami; Berkeley Art Museum and Pacific Film Archive, CA; Contemporary Arts Center, Cincinnati, OH; Garage Museum of Contemporary Art, Moscow; and The Institute of Contemporary Art Boston, MA; among many others. Rondinone lives and works in New York.

All our frames are manufactured in the USA, using eco-friendly and sustainably sourced engineered hardwood for durability and a uniform finish that is free of defects. Frames are available in Black or White Satin and Honey Pecan.

All prints are hinged to a conservation quality, acid-free and lignin-free Alpha Cellulose matboard, using an acid-free linen tape. The mat's surface paper is fade and bleed resistant and is attached to a conservation quality foam-core mounting board that will keep the work safe from deterioration over time. Artworks with a deckled or decorative edges will be floated on the matboard, with acrylic spacers to separate the art from the glazing. All mounting is fully reversible, without any potential damage to the art.

All of our frames come with picture quality .090 mm plexiglass, which blocks 66% of UV to prevent color fading from exposure to light, keeping your art protected for years to come. It is now considered the industry standard for artists, museums and galleries throughout the world.

For images up to 30" x 40"

• 1 1/4” wide, 3/4” deep, with a 2 1/2” wide mat.
• We generally leave 1/4” - 1/2” of paper showing around the image, to accommodate signatures and for visual appeal.

For sheet sizes larger than 30” x 40" please contact an Artspace advisor for a custom quote.

Our art editions ship in 7 to 10 business days from New York.

Our framed art editions ship in 11 to 14 business days from New York.

This work is eligible for return within 30 days of receipt of delivery.

Questions about this work?

Interested in other works by this artist or other artists? We will source them for you.

Contact an Artspace Advisor at advisor@artspace.com