Upside-Down Demolition, 2008/2013

This print, created by Muniz in collaboration with his daughter Mina, is a benefit edition for the Blue School.

A photographer and self-described 'low-tech illusionist' Muniz has created images in a wide-range of materials -- from chocolate and sugar to junk and toys to creating images, often art-historical, that he records with a camera. He has had solo shows at MOMA, MAM — Museu de arte Moderna do Rio de Janeiro, the Whitney Museum of American Art, The International Center of Photography, Paco Imperial in Rio, and MACRO in Rome, among others. A full-scale, traveling retrospective of his work was organized by the Miami Art Museum in 2006. His work is in numerous public and private collections, including those of MOMA, New York; The Art Institute of Chicago; Daros Latin America, Zurich; Fondation Cartier pour l'Art Contemporain, Paris; The Solomon R. Guggenheim Museum, New York; The Metropolitan Museum of Art, New York, NY; The Tate Gallery, London; The Walker Art Center, Minneapolis; and The Whitney Museum of American Art, New York.

Muniz has lectured at Harvard, Yale, the TED Conference and nearly every place where people are interested in creative concepts, and his work has been featured on the cover of the New York Times Magazine and filled the pages of countless other publications. Waste Land, the documentary film about his art project in a Brazilian trash dump, won the 2010 Sundance Audience Award for Best Film and was nominated for an Academy Award.

All our frames are manufactured in the USA, using eco-friendly and sustainably sourced engineered hardwood for durability and a uniform finish that is free of defects. Frames are available in Black or White Satin and Honey Pecan.

All prints are hinged to a conservation quality, acid-free and lignin-free Alpha Cellulose matboard, using an acid-free linen tape. The mat's surface paper is fade and bleed resistant and is attached to a conservation quality foam-core mounting board that will keep the work safe from deterioration over time. Artworks with a deckled or decorative edges will be floated on the matboard, with acrylic spacers to separate the art from the glazing. All mounting is fully reversible, without any potential damage to the art.

All of our frames come with picture quality .090 mm plexiglass, which blocks 66% of UV to prevent color fading from exposure to light, keeping your art protected for years to come. It is now considered the industry standard for artists, museums and galleries throughout the world.

For images up to 30" x 40"

• 1 1/4” wide, 3/4” deep, with a 2 1/2” wide mat.
• We generally leave 1/4” - 1/2” of paper showing around the image, to accommodate signatures and for visual appeal.

For sheet sizes larger than 30” x 40" please contact an Artspace advisor for a custom quote.

Our art editions ship in 7 to 10 business days from New York.

Our framed art editions ship in 11 to 14 business days from New York.

This work is eligible for return within 30 days of receipt of delivery.

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