Regina Vater

John and Bob, 1976

$284.00
Black and white photograph made with archival pigments on fine art rag paper with glossy finish
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  • Medium: Photograph
  • Dimensions: 305mm x 432mm
  • Edition size: 150
  • Authentication: Includes a Certificate of Authenticity and an artist-signed label on verso.
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This photograph - a spontaneous and happy snapshot—was taken at a John Cage opening at the Whitney Museum at his 70th birthday party. In it, he laughs with the artist Robert Rauschenberg, who was a close friend and a similarly important cultural icon. Vater's friendship with John Cage started in 1976, when she interviewed him for three hours in New York upon her return from the Venice Biennial, where she had represented her native country.

Regina Vater is a Brazilian artist whose oeuvre encompasses an array of different media, ranging from photography and drawing to video and site-specific installation. Using Brazilian and African-Brazilian mythologies as her subject matter, she delves into what has been lost and gained through colonialism, immigration and repopulation, exile, and cultural transition. Over the years, Vater has produced over 100 installations that combine forms from 20th century minimalist sculpture with content that has its origins in Brazil's colonial period. Through her practice and her work as a curator, she has been instrumental in introducing Brazilian art to an international audience.

Currently a resident of Austin, Texas, Vater originally settled in New York in the 1970s, where she met the pivotal cultural figures of the time including Merce Cunningham, Robert Rauschenberg, Helio Oiticica, and John Cage, who became a profound influence on her work. A participant in some of the most important exhibitions of Brazilian art in the last 30 years, she was included in the Biennale des Jeunes, Paris, France (1967); the Venice Biennale, Italy (1976); P.S.1 Museum, New York, NY (1989); Koninklijk National Royal Museum, Antwerp, The Netherlands (1992); and Brazilian Visual Poetry, which she curated, at the Mexic-Arte Museum, Austin, Texas, in 2002. In 2012, she will present a one-woman show at Brazilian institution Oi Futuro. A book about her work in photography and video will be published at the occasion.

All our frames are manufactured in the USA, using eco-friendly and sustainably sourced engineered hardwood for durability and a uniform finish that is free of defects. Frames are available in Black or White Satin and Honey Pecan.

All prints are hinged to a conservation quality, acid-free and lignin-free Alpha Cellulose matboard, using an acid-free linen tape. The mat's surface paper is fade and bleed resistant and is attached to a conservation quality foam-core mounting board that will keep the work safe from deterioration over time. Artworks with a deckled or decorative edges will be floated on the matboard, with acrylic spacers to separate the art from the glazing. All mounting is fully reversible, without any potential damage to the art.

All of our frames come with picture quality .090 mm plexiglass, which blocks 66% of UV to prevent color fading from exposure to light, keeping your art protected for years to come. It is now considered the industry standard for artists, museums and galleries throughout the world.

For images up to 30" x 40"

  • 1 1/4” wide, 3/4” deep, with a 2 1/2” wide mat.
  • We generally leave 1/4” - 1/2” of paper showing around the image, to accommodate signatures and for visual appeal.

For sheet sizes larger than 30” x 40" please contact an Artspace advisor for a custom quote.

Our art editions ship in 7 to 10 business days from New York.

Our framed art editions ship in 11 to 14 business days from New York.

This work is eligible for return within 30 days of receipt of delivery.

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