July 5, 2012, 2012

This work is part of the Vera List Anniversary Print Portfolio , created in recognition of the exceptional legacy of philanthropist Vera List. It was the generosity of Vera and her husband, Albert that enabled the founding of the Vera List Art Project at Lincoln Center in 1962, MIT's List Arts Center in 1982, and the Vera List Center for Art and Politics at The New School in 1992, among others. These institutions joined forces with Artspace and six internationally renowned artists to produce this print portfolio.

This print by Fred Tomaselli is representative of the artist's recent experimentations with appropriating images from the media and modifying them to manipulate the viewer's perception. The initial response to this work is a purely visual reaction to the intricate design, and it is only upon further examination that the second level of interaction with the political implications of the image emerge.

Fred Tomaselli has often courted controversy with his use of unconventional materials including consciousness-altering plants and pills. "I want people to get lost in the work," says the artist. "In that way the work is pre-Modernist. I throw all of my obsessions and loves into the work, and I try not to be too embarrassed about any of it." The results look like part patterned-textile, part mosaic. They depict subjects from the natural world, such as birds and flowers, with lush, jewel-colored tones. His recent hybrid works are all about recycling images from the outside world, usually downloaded off of the Internet, to create heavily patterned, hallucinatory universes of his own making.

In 2009, Prestel published the comprehensive book Fred Tomaselli, which accompanied a survey show of his work from the past 25 years.

All our frames are manufactured in the USA, using eco-friendly and sustainably sourced engineered hardwood for durability and a uniform finish that is free of defects. Frames are available in Black or White Satin and Honey Pecan.

All prints are hinged to a conservation quality, acid-free and lignin-free Alpha Cellulose matboard, using an acid-free linen tape. The mat's surface paper is fade and bleed resistant and is attached to a conservation quality foam-core mounting board that will keep the work safe from deterioration over time. Artworks with a deckled or decorative edges will be floated on the matboard, with acrylic spacers to separate the art from the glazing. All mounting is fully reversible, without any potential damage to the art.

All of our frames come with picture quality .090 mm plexiglass, which blocks 66% of UV to prevent color fading from exposure to light, keeping your art protected for years to come. It is now considered the industry standard for artists, museums and galleries throughout the world.

For images up to 30" x 40"

• 1 1/4” wide, 3/4” deep, with a 2 1/2” wide mat.
• We generally leave 1/4” - 1/2” of paper showing around the image, to accommodate signatures and for visual appeal.

For sheet sizes larger than 30” x 40" please contact an Artspace advisor for a custom quote.

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Our framed art editions ship in 11 to 14 business days from New York.

This work is eligible for return within 30 days of receipt of delivery.

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