Chico Aragão

James Rosenquist Ironing His Trousers, 1981

$275.00
Black and white photograph made with archival pigments on fine art rag paper with glossy finish
Read more
  • Medium: Photograph
  • Dimensions: 432mm x 305mm
  • Edition size: 250
  • Authentication: This work comes with a Certificate of Authenticity and an artist-signed label on verso.
Add to Wishlist Remove from Wishlist
Pay 3 interest free instalments of $91.66 Learn more 18+, T&C apply, Credit subject to status.

Limited Availability

Fully Insured Shipment

Delivered Duty Paid

"The ironing board was already there, but not in front of the flag. I was trying to do an exterior shot but the afternoon was still cold, and Jimmy was reluctant to do the shot outside, on the veranda.

"We walked about in his studio, discussing different ideas for the shot. He even commented on my determination/obsession to get him on that veranda. We took a break, and in between we had a few drinks. It was a relaxed atmosphere. At this point, I drew the board near to the flag. This provoked the scene I later captured. Jimmy decided to iron his pants. I decided he was much hotter than the iron." - Chico Aragão

Chico Aragão has been at the forefront of Brazilian fashion and advertising photography since 1973, when he first moved to São Paulo. Known for his "liberation" of fashion photography from the confines of the study, he was one of the first photographers to adopt the notion that a model should be interesting and photogenic rather than attractive in a way that conforms to society's rigid notions of beauty.

Characterized by spontaneity and a focus on movement, his body of work includes portraits that are characterized by their diversity of subject and eccentricity, as well as eerie nightscapes and heavenly waterscapes. His photographs have appeared in publications such as Elle, L'Uomo Vogue, Stern, Vanity Fair, and Vogue Brasil.

All our frames are manufactured in the USA, using eco-friendly and sustainably sourced engineered hardwood for durability and a uniform finish that is free of defects. Frames are available in Black or White Satin and Honey Pecan.

All prints are hinged to a conservation quality, acid-free and lignin-free Alpha Cellulose matboard, using an acid-free linen tape. The mat's surface paper is fade and bleed resistant and is attached to a conservation quality foam-core mounting board that will keep the work safe from deterioration over time. Artworks with a deckled or decorative edges will be floated on the matboard, with acrylic spacers to separate the art from the glazing. All mounting is fully reversible, without any potential damage to the art.

All of our frames come with picture quality .090 mm plexiglass, which blocks 66% of UV to prevent color fading from exposure to light, keeping your art protected for years to come. It is now considered the industry standard for artists, museums and galleries throughout the world.

For images up to 30" x 40"

  • 1 1/4” wide, 3/4” deep, with a 2 1/2” wide mat.
  • We generally leave 1/4” - 1/2” of paper showing around the image, to accommodate signatures and for visual appeal.

For sheet sizes larger than 30” x 40" please contact an Artspace advisor for a custom quote.

Our art editions ship in 7 to 10 business days from New York.

Our framed art editions ship in 11 to 14 business days from New York.

This work is eligible for return within 30 days of receipt of delivery.

Questions about this work?

Interested in other works by this artist or other artists? We will source them for you.

Contact an Artspace Advisor at advisor@artspace.com

Add to cart - $275.00