Desviación, 2014

£1,785.50
Digital print
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  • Medium: Print
  • Dimensions: 457mm x 457mm
  • Edition size: 100
  • Authentication: Includes an artist-signed label.
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Artspace is proud to announce a new charitable limited edition by critically acclaimed contemporary artist Felipe Baeza, entitled Desviación. Created with multiple layers of silkscreen and collage, each print within the edition of 40 contains multi-dimensional variations and hand-torn deckled edges. These material intricacies reimagine the carved, painted, and collaged surfaces of Baeza’s fascinating unique works in a new, intimate format.


Felipe Baeza’s practice employs innovative and complex techniques to investigate concepts of otherness, agency, and transformation. Influenced by the religious imagery he was exposed to throughout his Catholic upbringing, Baeza pushes the boundaries of how the human body —corporeal, psychological, and metaphysical—is visually represented. Proceeds from the sale of this series will be donated to support Visual AIDS, a New York-based nonprofit that utilizes art to fight AIDS by provoking dialogue, supporting HIV+ artists, and preserving a legacy.


“The print is from a painting entitled shadow that won’t materialize, 2022…I chose to make a print of this work because it is a work that deals with the body and questions fixed notions of being, as well as norms around gender, sexuality, legality, and state-imposed boundaries. All of which I feel are close themes to the work Visual AIDS engages in.” —Felipe Baeza


Baeza’s prominence has grown steadily since recent exhibitions at Maureen Paley in London and The Mistake Room in Los Angeles, among others. His inclusion in the 2022 Venice Biennale international exhibition, “The Milk of Dreams,” curated by Cecilia Alemani, catapulted him into the upper echelon of artists working today. Baeza recently completed a residency as a Guest Scholar at the Getty Research Institute in Los Angeles.

Kim Cadmus Owens' practice looks to the stretched-out and glitched lines of frozen computer screens. Imposing this imagery onto mid-century American landscapes, Owens draws in her viewer while simultaneously disrupting their visual experience. Contemporary human existence is often mediated through some form of digital media; by juxtaposing classically "American" architectural iconography with references to broken technology, Owens harkens to an unreachable past. Born and raised in Texas, Kim Cadmus Owens now lives and works in Dallas after having lived in New York, Baltimore, and San Francisco. She received her MFA in Painting from Towson University, Baltimore, Maryland, and a BFA in Painting and Drawing from the San Francisco Art Institute, San Francisco, California.

All our frames are manufactured in the USA, using eco-friendly and sustainably sourced engineered hardwood for durability and a uniform finish that is free of defects. Frames are available in Black or White Satin and Honey Pecan.

All prints are hinged to a conservation quality, acid-free and lignin-free Alpha Cellulose matboard, using an acid-free linen tape. The mat's surface paper is fade and bleed resistant and is attached to a conservation quality foam-core mounting board that will keep the work safe from deterioration over time. Artworks with a deckled or decorative edges will be floated on the matboard, with acrylic spacers to separate the art from the glazing. All mounting is fully reversible, without any potential damage to the art.

All of our frames come with picture quality .090 mm plexiglass, which blocks 66% of UV to prevent color fading from exposure to light, keeping your art protected for years to come. It is now considered the industry standard for artists, museums and galleries throughout the world.

For images up to 30" x 40"

  • 1 1/4” wide, 3/4” deep, with a 2 1/2” wide mat.
  • We generally leave 1/4” - 1/2” of paper showing around the image, to accommodate signatures and for visual appeal.

For sheet sizes larger than 30” x 40" please contact an Artspace advisor for a custom quote.

Our art editions ship in 7 to 10 business days from New York.

Our framed art editions ship in 11 to 14 business days from New York.

This work is eligible for return within 30 days of receipt of delivery.

Questions about this work?

Interested in other works by this artist or other artists? We will source them for you.

Contact an Artspace Advisor at advisor@artspace.com

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