Goldenrod and Queen Anne's Lace, 2025

Artspace, Phaidon, and Monacelli are delighted to announce Goldenrod and Queen Anne’s Lace, 2025, a new edition of 30 silkscreen prints by Nicole Wittenberg. Each limited edition print is accompanied by a signed copy of the artist’s highly anticipated debut monograph published by Monacelli, offering a fresh perspective on the artist’s career to date.

Known for her expressive, color-rich approach to landscape, figuration, and erotica, Wittenberg has spent the last two decades creating a visual language rooted in observation and sensation. Drawing from her practice of workingen plein air, Goldenrod and Queen Anne’s Lace depicts flourishing golden blossoms against a velvety navy background. Wittenberg’s layered strokes and gestural mark-making convey a sense of immediacy and corporeal presence, evoking the pleasure of being among blooms in nature.

“The perception of a prevailing feeling is something that really drives my work. I'm really interested in feelings, and sensations - that first impression, things that happened by chance and the way we connect with that chance.” —Nicole Wittenberg

The release of Wittenberg’s new edition and monograph coincides with three solo exhibitions of the artist’s work this summer at Maison La Roche, Par, FR through July 19; Ogunquit Museum of American Art, Maine through July 20; and the Center for Maine Contemporary Art through September 14, 2025.

Nicole Wittenberg (born 1979) is an American painter, curator, professor, and writer based in New York City.  She received her BFA from the San Francisco Art Institute in 2003. Wittenberg received the American Academy of Arts and Letters coveted John Koch Award for Best Young Figurative Painter in 2012. From 2011-2014, she served as a teacher at the New York Studio School of Drawing, Painting, and Sculpture and the Bruce High Quality Foundation University, and in 2017, she was a professor in the Critical Theory Department at the School of Visual Arts in New York City. Wittenberg’s works are included in many prominent collections, including the Solomon R. Guggenheim Museum, New York, NY; The Albertina, Vienna, Austria; Portland Museum of Art, ME, USA; the Boston Museum of Fine Art, Boston, MA; Aishti Foundation, Beirut, Lebanon; and others.

All our frames are manufactured in the USA, using eco-friendly and sustainably sourced engineered hardwood for durability and a uniform finish that is free of defects. Frames are available in Black or White Satin and Honey Pecan.

All prints are hinged to a conservation quality, acid-free and lignin-free Alpha Cellulose matboard, using an acid-free linen tape. The mat's surface paper is fade and bleed resistant and is attached to a conservation quality foam-core mounting board that will keep the work safe from deterioration over time. Artworks with a deckled or decorative edges will be floated on the matboard, with acrylic spacers to separate the art from the glazing. All mounting is fully reversible, without any potential damage to the art.

All of our frames come with picture quality .090 mm plexiglass, which blocks 66% of UV to prevent color fading from exposure to light, keeping your art protected for years to come. It is now considered the industry standard for artists, museums and galleries throughout the world.

For images up to 30" x 40"

• 1 1/4” wide, 3/4” deep, with a 2 1/2” wide mat.
• We generally leave 1/4” - 1/2” of paper showing around the image, to accommodate signatures and for visual appeal.

For sheet sizes larger than 30” x 40" please contact an Artspace advisor for a custom quote.

Our art editions ship in 7 to 10 business days from New York.

Our framed art editions ship in 11 to 14 business days from New York.

This work is eligible for return within 30 days of receipt of delivery.

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Contact an Artspace Advisor at advisor@artspace.com