Grief and Grievance: Art and Mourning in America
Price AUD$125.00 Price CAD$100.00 Price £59.95 Price T79.95 Price USD$79.95
A timely and urgent exploration into the ways artists have grappled with race and grief in modern America, conceived by the great curator Okwui Enwezor
Featuring works by more than 30 artists and writings by leading scholars and art historians, this book - and its accompanying exhibition, both conceived by the late, legendary curator Okwui Enwezor - gives voice to artists addressing concepts of mourning, commemoration, and loss and considers their engagement with the social movements, from Civil Rights to Black Lives Matter, that black grief has galvanized.
Artists included: Terry Adkins, Jean-Michel Basquiat, Kevin Beasley, Dawoud Bey, Mark Bradford, Garrett Bradley, Melvin Edwards, LaToya Ruby Frazier, Charles Gaines, Theaster Gates, Ellen Gallagher, Arthur Jafa, Daniel LaRue Johnson, Rashid Johnson, Jennie C. Jones, Kahlil Joseph, Deana Lawson, Simone Leigh, Glenn Ligon, Kerry James Marshall, Julie Mehretu, Tiona Nekkia McClodden, Okwui Okpokwasili, Adam Pendleton, Julia Phillips, Howardena Pindell, Cameron Rowland, Lorna Simpson, Sable Elyse Smith, Tyshawn Sorey, Diamond Stingily, Henry Taylor, Hank Willis Thomas, Kara Walker, Nari Ward, Carrie Mae Weems, and Jack Whitten.
Essays by Elizabeth Alexander, Naomi Beckwith, Judith Butler, Ta-Nehisi Coates, Massimiliano Gioni, Saidiya Hartman, Juliet Hooker, Glenn Ligon, Mark Nash, Claudia Rankine, and Christina Sharpe.Specifications:
- Format: Hardback
- Size: 290 × 250 mm (11 3/8 × 9 7/8 in)
- Pages: 264 pp
- Illustrations: 0 illustrations
- ISBN: 9781838661298
Okwui Enwezor (1963–2019) was a curator, writer, and art critic.
Naomi Beckwith is Manilow Senior Curator at the Museum of Contemporary Art, Chicago.
Massimiliano Gioni is Edlis Neeson Artistic Director of the New Museum.
Glenn Ligon is an artist, writer, and curator.
Mark Nash is Professor of Digital Arts and New Media at the University of California, Santa Cruz.
"Expansive and engrossing." - Art Quarterly
"A brilliant, essential read." - Studio International