Boulevard Of Broken Dreams (Detox), 2011

Detox depicts a drag queen in a space-age get-up on a dilapidated sidewalk in Los Angeles. In her right hand, she holds a plastic figurine of Hulk Hogan on a string, adding an element of butch to the bright, bubble-gum pink of the queen's hair, lips, and dress. On the right, Kost, always the invisible voyeur, appears as a reflection in the window of the storefront, his face obscured by the flash of his camera. Although the image is taken in daylight, the title seems to suggest that the figure (and Kost himself) is coming down from a long, charged night.

Detox is an image from Kost's series Boulevard of Broken Dreams, which depicts the underbelly of Hollywood Boulevard, a location littered with strip malls and porn shops that belie the street name's association with glamour and stardom.

Jeremy Kost is a tireless chronicler of gender, sexuality, and nightlife, and has pioneered virtuosic ways to present Polaroid snapshots. Drawing his inspiration from the celebrity nightlife scene, Kost uses his instant film camera to capture the glamour—and the inherent striving—of a downtown scene full of fashion insiders, chic club kids, and flamboyant drag queens, with an eye attuned to uneven luminosity and raw beauty. A self-described "fat kid from Texas," the star transformed his image while living in Washington, DC, from 1999—2003, where he instituted a rigorous workout routine, in part motivated by his fascination with the beautiful bodies of the gay nightclub scene. On subsequent trips to New York, he slowly ingratiated himself with a well-connected, exclusive crowd who allowed him to photograph them intimately, but without pretense. The resulting images, frequently displayed in grids or collages, are reminiscent of works by Nan Goldin and Mark Morrisroe, but they most closely resemble the photographs taken by Andy Warhol in the 1970s.

All our frames are manufactured in the USA, using eco-friendly and sustainably sourced engineered hardwood for durability and a uniform finish that is free of defects. Frames are available in Black or White Satin and Honey Pecan.

All prints are hinged to a conservation quality, acid-free and lignin-free Alpha Cellulose matboard, using an acid-free linen tape. The mat's surface paper is fade and bleed resistant and is attached to a conservation quality foam-core mounting board that will keep the work safe from deterioration over time. Artworks with a deckled or decorative edges will be floated on the matboard, with acrylic spacers to separate the art from the glazing. All mounting is fully reversible, without any potential damage to the art.

All of our frames come with picture quality .090 mm plexiglass, which blocks 66% of UV to prevent color fading from exposure to light, keeping your art protected for years to come. It is now considered the industry standard for artists, museums and galleries throughout the world.

For images up to 30" x 40"

• 1 1/4” wide, 3/4” deep, with a 2 1/2” wide mat.
• We generally leave 1/4” - 1/2” of paper showing around the image, to accommodate signatures and for visual appeal.

For sheet sizes larger than 30” x 40" please contact an Artspace advisor for a custom quote.

Our art editions ship in 7 to 10 business days from New York.

Our framed art editions ship in 11 to 14 business days from New York.

This work is eligible for return within 30 days of receipt of delivery.

Questions about this work?

Interested in other works by this artist or other artists? We will source them for you.

Contact an Artspace Advisor at advisor@artspace.com