Jen's hand on Clemen's back, Paris, 2001, 2004

Special edition of The Devil's Playground that is beautifully bound, individually signed and numbered, and presented in a specially made box together with an original print, also signed and numbered by Nan Goldin.

Jens' hand on Clemen's back frames Goldin's friends tenderly making love, in a moment of searing intimacy to which Goldin is privileged to bear witness.Renowned for tender, honest, revealing, intimate and sometimes brutal pictures of herself and what she calls her extended family, Nan Goldin (b.1953) is so close to her subjects that they hardly remember she is there.

Like a visual diary her photographs tell the stories of emotional turmoil, passion and peace. This image captures Nan's friends in moments of total self-absorption, moments into which Nan has been allowed after long periods of building up intense relationships and trust with her subjects, so that the camera is as much a part of the relationship as she is.

Nan Goldin was born in 1953 in Washington, DC. She grew up there and in Boston, where she began to take photographs at the age of 15. In 1978 she moved to New York and then to Berlin where she lived and worked from 1991 to 1993. She currently lives and works in Paris.

Since the early 1970s, Goldin has taken numerous photographs of her friends and 'family', which form a unique corpus of work. She is most famous for her Ballad of Sexual Dependency photographs, a constantly changing slide show of approximately 750 photographs set to music. Goldin's life and friends became the focus of her work - a diary of friends and lovers in Europe and America, in the underground and gay scene.

Since the 1980s Goldin's photographs have been exhibited internationally, at the San Francisco Museum of Modern Art in California, the Whitney Museum of American Art in New York, the Stedelijk Museum in Amsterdam, the Centre Georges Pompidou in Paris and the Museu Reina Sofia in Madrid.

All our frames are manufactured in the USA, using eco-friendly and sustainably sourced engineered hardwood for durability and a uniform finish that is free of defects. Frames are available in Black or White Satin and Honey Pecan.

All prints are hinged to a conservation quality, acid-free and lignin-free Alpha Cellulose matboard, using an acid-free linen tape. The mat's surface paper is fade and bleed resistant and is attached to a conservation quality foam-core mounting board that will keep the work safe from deterioration over time. Artworks with a deckled or decorative edges will be floated on the matboard, with acrylic spacers to separate the art from the glazing. All mounting is fully reversible, without any potential damage to the art.

All of our frames come with picture quality .090 mm plexiglass, which blocks 66% of UV to prevent color fading from exposure to light, keeping your art protected for years to come. It is now considered the industry standard for artists, museums and galleries throughout the world.

For images up to 30" x 40"

• 1 1/4” wide, 3/4” deep, with a 2 1/2” wide mat.
• We generally leave 1/4” - 1/2” of paper showing around the image, to accommodate signatures and for visual appeal.

For sheet sizes larger than 30” x 40" please contact an Artspace advisor for a custom quote.

Our art editions ship in 7 to 10 business days from New York.

Our framed art editions ship in 11 to 14 business days from New York.

This work is eligible for return within 30 days of receipt of delivery.

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