Air bnb silverlake, 2018

€475,00
Archival pigment print on Slickrock metallic silver paper
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  • Medium: Print
  • Dimensions: 508mm x 406mm
  • Edition size: 50
  • Authentication: An artist-signed label is adhered on verso.
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Musician, songwriter, producer, and visual artist Kim Gordon partners with BAM for a new limited edition artist’s print. Released nearly four decades after Gordon moved to New York to kick-start her career as a visual artist, Air bnb silverlake is the latest edition from Gordon’s creative and illustrious career.

Kim Gordon studied at the Otis Art Institute in Los Angeles in the late 1970s and has continued to work as an artist since. Her first solo exhibition presented under the name "Design Office" took place at New York's White Columns in 1981. For the past thirty years Gordon has worked consistently across disciplines and across distinct cultural fields: art, design, writing, fashion (X-Girl), music (Sonic Youth, Free Kitten, Body/Head), and film/video (both as actress and director).

Gordon's artworks include the ongoing "Noise Painting" series, depicting the names of experimental and noise groups; a series of paintings depicting the names of contemporary galleries and gallery owners; works from the untitled "From The Boyfriend" series—Rorschach-like images painted on used denim skirts; "Twitter Paintings" sourced from the Twitter streams of "GIRLS" producer Jenni Konner, critic Jerry Saltz, and artist Richard Prince among others; and her "Wreath Paintings", which employ the decorative folk forms as stencils to produce vertiginous color abstractions. An insistence on dismantling the hierarchical sanctity of the object has become a through line in Gordon's practice, and in her most recent work, canvases are treated with direct application of paints, resins, glitters and fiberglass, as well as physical manipulation. Performing a painting becomes its own medium, as finished works are crumpled, overturned and flung. Fixed between states of de- and re-composition, battle scars from past performances become gestural abstraction via mischievous punk irreverence.

All our frames are manufactured in the USA, using eco-friendly and sustainably sourced engineered hardwood for durability and a uniform finish that is free of defects. Frames are available in Black or White Satin and Honey Pecan.

All prints are hinged to a conservation quality, acid-free and lignin-free Alpha Cellulose matboard, using an acid-free linen tape. The mat's surface paper is fade and bleed resistant and is attached to a conservation quality foam-core mounting board that will keep the work safe from deterioration over time. Artworks with a deckled or decorative edges will be floated on the matboard, with acrylic spacers to separate the art from the glazing. All mounting is fully reversible, without any potential damage to the art.

All of our frames come with picture quality .090 mm plexiglass, which blocks 66% of UV to prevent color fading from exposure to light, keeping your art protected for years to come. It is now considered the industry standard for artists, museums and galleries throughout the world.

For images up to 30" x 40"

  • 1 1/4” wide, 3/4” deep, with a 2 1/2” wide mat.
  • We generally leave 1/4” - 1/2” of paper showing around the image, to accommodate signatures and for visual appeal.

For sheet sizes larger than 30” x 40" please contact an Artspace advisor for a custom quote.

Our art editions ship in 7 to 10 business days from New York.

Our framed art editions ship in 11 to 14 business days from New York.

This work is eligible for return within 30 days of receipt of delivery.

Questions about this work?

Interested in other works by this artist or other artists? We will source them for you.

Contact an Artspace Advisor at advisor@artspace.com

Add to cart - €475,00