Grey not Black, not White, 2017

€1.350,00
Full color digital archival print on Epson Hot Press Natural 330g/m2
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  • Medium: Print
  • Dimensions: 610mm x 508mm
  • Edition size: 100
  • Authentication: This work will come with a signed and numbered archival label adhered to the back of the print.
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Pay 3 interest free instalments of €450,00 Learn more 18+, T&C apply, Credit subject to status.

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Produced with the support of Kering, a global luxury group committed to the empowerment of women, this charitable limited-edition print is part of a portfolio celebrating Phaidon's Great Women Artists, the most extensive illustrated book on women artists ever published. The book tells the stories of over 400 artists spanning 500 years and reveals a parallel yet equally engaging history of art for an age that champions a great diversity of voices. The Great Women Artists print portfolio offers collectors the opportunity to acquire affordable works by some of the most celebrated and sought-after women artists of our time, while contributing to a worthy cause. Proceeds will benefit Promundo, a leading organization in advancing gender equality, and preventing violence against women through the education of young boys. Acquire this print on its own, or collect the entire suite, which includes editions by six artists featured in the book—Cecily Brown, Lubaina Himid, Bharti Kher, Catherine Opie, Jenny Saville, and Dana Schutz—who have worked closely with Artspace, Phaidon, and Kering to contribute works exclusively for the Great Women Artists portfolio.

Bharti Kher’s oeuvre, which spans more than two decades and includes paintings, sculptures and ready-made objects, installations, displays an unwavering relationship with surrealism, narrative and the nature of things - inspired by a wide range of sources from Oppenheim to Bourgeois, Bacon and Blake, Kher’s work moves through time using reference as a counterpoint and contradiction as a visual tool. Her chimeras, mythical monsters and allegorical tales combine references that are topical and traditional, political and post-colonial at the same time. Known for her extensive use of everyday, found objects and imaginatively transforming their identity, Kher empowers her often otherworldly creations to present themselves unabashedly as if they were a natural part of our culture and environment. Kher’s work often explores the notion of the self as a multiple, open to interpretation and shape-shifting. Her art practice is intimately intertwined with her life, not only because she borrows motifs and artefacts for her work, but also because she has an inquisitive mind and a strong desire to understand sociological issues. Such characteristics endow Kher’s work with a narrative quality and fascinating interiority of things that frequently contradict her practice of addressing more global and collective concerns. This tension is precisely what leads us more deeply into Kher’s work and world and prompts us to reposition our own relationship to her individual pieces. 

Kher was born in London in 1969. She studied at the Middlesex Polytechnic, London, 1987 - 1988 and received a BA Honours in Fine Art, Painting at the Foundation Course in Art & Design at Newcastle Polytechnic, Newcastle, 1988 - 1991. She lives and works in New Delhi, India. Kher’s work has been the subject of numerous solo exhibitions and was included in scores of group exhibitions at museums and galleries worldwide. 

All our frames are manufactured in the USA, using eco-friendly and sustainably sourced engineered hardwood for durability and a uniform finish that is free of defects. Frames are available in Black or White Satin and Honey Pecan.

All prints are hinged to a conservation quality, acid-free and lignin-free Alpha Cellulose matboard, using an acid-free linen tape. The mat's surface paper is fade and bleed resistant and is attached to a conservation quality foam-core mounting board that will keep the work safe from deterioration over time. Artworks with a deckled or decorative edges will be floated on the matboard, with acrylic spacers to separate the art from the glazing. All mounting is fully reversible, without any potential damage to the art.

All of our frames come with picture quality .090 mm plexiglass, which blocks 66% of UV to prevent color fading from exposure to light, keeping your art protected for years to come. It is now considered the industry standard for artists, museums and galleries throughout the world.

For images up to 30" x 40"

  • 1 1/4” wide, 3/4” deep, with a 2 1/2” wide mat.
  • We generally leave 1/4” - 1/2” of paper showing around the image, to accommodate signatures and for visual appeal.

For sheet sizes larger than 30” x 40" please contact an Artspace advisor for a custom quote.

Our art editions ship in 7 to 10 business days from New York.

Our framed art editions ship in 11 to 14 business days from New York.

This work is eligible for return within 30 days of receipt of delivery.

Questions about this work?

Interested in other works by this artist or other artists? We will source them for you.

Contact an Artspace Advisor at advisor@artspace.com

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