Tehching Hsieh: Lifeworks, 1978-1999

The only book about the groundbreaking performance artist Tehching Hsieh, dubbed a ‘master of the medium’ by fellow performance artist Marina Abramovic

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The only book about the groundbreaking performance artist Tehching Hsieh,  dubbed a ‘master of the medium’ by fellow performance artist Marina Abramovic

This unique monograph on renowned Taiwanese artist Tehching Hsieh showcases 21 years of his radical performance art, a body of work that collapses the boundaries between art, life, and survival. Developed in close collaboration with the artist himself and illustrated with more than 2,300 images, the book is the authoritative guide to both his first retrospective held at Dia Beacon in New York and his entire life’s work.

Across more than 500 pages, the book covers the full archive and complete foundation of Hsieh’s artistic legacy from 1978 through 1999, the period during which he enacted his five iconic One Year Performances followed by Tehching Hsieh 1986–1999 (Thirteen Year Plan). 

With new scholarship that situates Hsieh’s practice in broader contexts, this book incorporates the artist’s voice through an in-depth conversation with Heathfield as well as essays by Dia curators, critics, and art historians. It also features an illustrated timeline of archival material – including early artworks made in Taiwan, behind-the-scenes photographs, and contemporary news reports – some of which will be published for the first time.

Hsieh has had work shown at the Museum of Modern Art, the Solomon R. Guggenheim Museum, the Liverpool Biennial in the United Kingdom, and the Gwangju Biennial in South Korea. He also represented Taiwan at the 2017 Venice Biennale in an exhibition curated by contributor Adrian Heathfield.

This book is not only the best way to understand Tehching Hsieh and his uncompromising work; it is also the only place where his works are reproduced in full, revealing the artist’s monumental contribution to the history of performance art.

 

Liv Cuniberti is a curatorial assistant at Dia Art Foundation.

Lia Gangitano is the founder of the New York–based nonprofit art space,= Participant, Inc. and teaches at the Center for Curatorial Studies, Bard College, Annandale-on-Hudson, New York. 

Adrian Heathfield is the author of Out of Now, a monograph on Tehching Hsieh, and the co-curator of Tehching Hsieh: Lifeworks 1978–1999 at Dia Beacon.

Tehching Hsieh was born in Nanzhou, Taiwan, in 1950. He is renowned for major performance works that revolutionized the conceptual, physical, aesthetic, and temporal limits of the medium in the late 1970s and early ’80s. Hsieh dropped out of high school in 1967 and took up painting. Following three years of mandatory military service, he had his first solo show at the gallery of the American News Bureau, Taipei, in 1973. Shortly after, Hsieh stopped painting entirely and pivoted to performance. He began with a group of works dealing with action and its traces in documents, culminating in Jump (1973), in which he recorded his fall from a second-story window, breaking both of his ankles. Starting in the late 1970s, Hsieh made a series of five One Year Performances . In 1986, he announced his  “Thirteen Year Plan,” during which he would continue making art but not show it publicly. Since the millennium, Hsieh has exhibited elements of his oeuvre at major biennials, festivals, and museums, including the Museum of Modern Art, New York; Neue Nationalgalerie, Berlin; Solomon R. Guggenheim Museum, New York; and Tate Modern, London. In 2017, Hsieh represented Taiwan at the Venice Biennale with his acclaimed exhibition Doing Time . Hsieh lives in Brooklyn.

Jessica Morgan is Nathalie de Gunzberg Director of Dia Art Foundation. She previously served as Daskalopoulos Curator, International Art, at Tate Modern from 2010 to 2015 and as a curator at Tate from 2002 to 2010. Morgan also was the Artistic Director of the 10th Gwangju Biennale (2014).

Humberto Moro is Deputy Director of Program at Dia Art Foundation. He was previously Deputy Director and Senior Curator at Museo Tamayo in Mexico City. He was also Curator of the 2021 Exposure section at EXPO Chicago; and from 2016 to 2022, Adjunct Curator at the SCAD Museum of Art in Savannah, Georgia.

Brian Kuan Wood is a writer and curator based in New York. In 2023, he was a co-curator of the Taipei Biennial, titled Small World. Wood is a founding editor of e-flux Journal.

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  • Format: Hardback
  • Dimensions: 318mm x 238mm
  • Pages: 504
  • Brand: Phaidon
  • ISBN: 9781837293483
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