Contemplation, 2008

$2,000.00
Silver gelatin print
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  • Medium: Print
  • Dimensions: 16.5 x 16.0 inches
  • Edition size: 50
  • Authentication: All copies are signed and numbered by Roger Ballen
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A unique opportunity to own a limited edition silver gelatin print by Roger Ballen

In Contemplation the chaos has abated, and we witness a clean shirtless man holding a white duck to his face. Sitting in a man-made ditch he appears to be deep in conversation with the duck, listening intently to its story. An electrical cable is pinned neatly to the wall, but it seems not to be coming from, nor leading, anywhere. As always in the boarding house, the only consistency is the dirt and dust of its abandonment.

Roger Ballen's (b.1950) work focuses on a strange and alluring place that he calls the Boarding House, where he directs his subjects in a unique collaboration of imagination and reality. Toying with fantasy, Ballen's transient compositions create a question mark over our preconceptions of photography, creating a theatre out of the building blocks of documentary.

Boarding House captures an imaginary space of transient residence, of comings and goings, focusing on the evocative drawings and sculptural objects as well as the people and animals found there captures an imaginary space of transient residence, of comings and goings, focusing on the evocative drawings and sculptural objects as well as the people and animals found there.

Roger Ballen (b. 1950) has lived and worked in Johannesburg, South Africa for almost 30 years. Born in New York, he worked as a geologist and mining consultant before starting his photographic career by documenting the small villages of rural South Africa and their isolated inhabitants. His images are both powerful social statements and disturbing psychological studies. Ballen’s book Outland, also published by Phaidon, was named Best Photographic book of the Year at PhotoEspaña 2001, Madrid, Spain.

All our frames are manufactured in the USA, using eco-friendly and sustainably sourced engineered hardwood for durability and a uniform finish that is free of defects. Frames are available in Black or White Satin and Honey Pecan.

All prints are hinged to a conservation quality, acid-free and lignin-free Alpha Cellulose matboard, using an acid-free linen tape. The mat's surface paper is fade and bleed resistant and is attached to a conservation quality foam-core mounting board that will keep the work safe from deterioration over time. Artworks with a deckled or decorative edges will be floated on the matboard, with acrylic spacers to separate the art from the glazing. All mounting is fully reversible, without any potential damage to the art.

All of our frames come with picture quality .090 mm plexiglass, which blocks 66% of UV to prevent color fading from exposure to light, keeping your art protected for years to come. It is now considered the industry standard for artists, museums and galleries throughout the world.

For images up to 30" x 40"

  • 1 1/4” wide, 3/4” deep, with a 2 1/2” wide mat.
  • We generally leave 1/4” - 1/2” of paper showing around the image, to accommodate signatures and for visual appeal.

For sheet sizes larger than 30” x 40" please contact an Artspace advisor for a custom quote.

Our art editions ship in 7 to 10 business days from New York.

Our framed art editions ship in 11 to 14 business days from New York.

This work is eligible for return within 30 days of receipt of delivery.

Questions about this work?

Interested in other works by this artist or other artists? We will source them for you.

Contact an Artspace Advisor at advisor@artspace.com

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