Jet Blue #11, 2021

Phaidon, Artspace, and Avant Arte are proud to announce the global launch of two exclusive limited edition collages by critically acclaimed American artist Mickalene Thomas. Jet Blue #11 and Left Behind (both 2021) are composed of diverse materials including hand-cut inkjet prints, pigment-printed silk fragments, and hand-applied acrylic pochoir, resulting in two editions of 10 signed and numbered collage prints. Each print comes fitted in a UV-protective plexi frame along with a signed and numbered copy of Phaidon’s 2021 monograph Mickalene Thomas, all of which is housed in a handmade painted wooden box laser engraved with the artist’s name. The box is presented in a red velour dust bag screen-printed with the Mickalene Thomas studio logo.

Thomas’ artwork draws on autobiographical material, socio-political discourse, and American art influences, as well as 19th century French painting and established figures from the international 20th century canon. Her awareness of the complex cultural landscape of the 1970s in which she was raised—the dreams of modernism and radical calls for racial equality looming large in the collective consciousness—deeply influenced her iconic visual vocabulary. Thomas’ decades-long exploration of the Black female figure celebrates the power, beauty, and strength of her subjects with an emphasis on individuality, honoring their agency and ownership of their own bodies and identities.

Mickalene Thomas (b. 1971, Camden, NJ) lives and works in Brooklyn. She earned her BFA in painting at Pratt Institute in 2000 and her MFA at the Yale University School of Art in 2002. Thomas has participated in residencies at the Studio Museum in Harlem, New York, 2000–2003; the Versailles Foundation Munn Artists Program, Giverny, France, 2011; and the Skowhegan School of Painting and Sculpture, Madison, 2013. Thomas’s work is part of many prominent public collections including The Museum of Modern Art, New York; Brooklyn Museum, New York; Solomon R. Guggenheim Museum, New York; Whitney Museum of American Art, New York; The Studio Museum in Harlem, New York; The International Center of Photography, New York; San Francisco Museum of Modern Art; Museum of Fine Arts, Boston; Art Institute of Chicago; and Hara Museum ARC, Gunma, Japan, among others.

All our frames are manufactured in the USA, using eco-friendly and sustainably sourced engineered hardwood for durability and a uniform finish that is free of defects. Frames are available in Black or White Satin and Honey Pecan.

All prints are hinged to a conservation quality, acid-free and lignin-free Alpha Cellulose matboard, using an acid-free linen tape. The mat's surface paper is fade and bleed resistant and is attached to a conservation quality foam-core mounting board that will keep the work safe from deterioration over time. Artworks with a deckled or decorative edges will be floated on the matboard, with acrylic spacers to separate the art from the glazing. All mounting is fully reversible, without any potential damage to the art.

All of our frames come with picture quality .090 mm plexiglass, which blocks 66% of UV to prevent color fading from exposure to light, keeping your art protected for years to come. It is now considered the industry standard for artists, museums and galleries throughout the world.

For images up to 30" x 40"

• 1 1/4” wide, 3/4” deep, with a 2 1/2” wide mat.
• We generally leave 1/4” - 1/2” of paper showing around the image, to accommodate signatures and for visual appeal.

For sheet sizes larger than 30” x 40" please contact an Artspace advisor for a custom quote.

Our art editions ship in 7 to 10 business days from New York.

Our framed art editions ship in 11 to 14 business days from New York.

This work is eligible for return within 30 days of receipt of delivery.

Questions about this work?

Interested in other works by this artist or other artists? We will source them for you.

Contact an Artspace Advisor at advisor@artspace.com