Untitled, 2011

This vibrant work by artist Kenny Scharf borrows from animation and reflects the artist's childhood fascination with cartoons, such as The Jetsons and The Flintstones. Scharf's application of paint also mimics the shading, reflective surfaces, and texture of a page from a comic book. Works like these are often characterized as "Pop-surrealism" due to their bright coloration, glossy forms, and disjointed subject matter. Sharf's work is also associated with the Lowbrow art movement of 1970s Los Angeles, with its appropriation of popular imagery.

Kenny Scharf gained prominence in New York City's East Village art scene in the 1980s for his ambitious, cartoon-like installations and paintings and his frequent collaborations with his friends, artists Keith Haring and Jean-Michel Basquiat. Scharf's fun, colorful work is both a nod to the future and a reference to past art historical movements such as Pop and Surrealism. His multidisciplinary practice exists in the realm where pop culture meets science fiction, and his imagery celebrates everything from the Jetsons and the Flintstones to one-eyed creatures, mischievous monsters, and donuts in space.

"One very important and guiding principle to my work is to reach out beyond the elitist boundaries of fine art and connect to popular culture through my art," says Scharf. "My personal ambition has always been to live the example. I believe the artist has a social responsibility to engage others in a thought process that ultimately brings the creative process into everyday life thereby enhancing the quality of our experience." Since his rise to prominence years ago at the 1985 Whitney Biennal to his recent ambitious street art survey Art In the Streets at the Museum of Contemporary Art, Los Angeles, Scharf continues to approach his practice with playfulness and a youthful spirit.

All our frames are manufactured in the USA, using eco-friendly and sustainably sourced engineered hardwood for durability and a uniform finish that is free of defects. Frames are available in Black or White Satin and Honey Pecan.

All prints are hinged to a conservation quality, acid-free and lignin-free Alpha Cellulose matboard, using an acid-free linen tape. The mat's surface paper is fade and bleed resistant and is attached to a conservation quality foam-core mounting board that will keep the work safe from deterioration over time. Artworks with a deckled or decorative edges will be floated on the matboard, with acrylic spacers to separate the art from the glazing. All mounting is fully reversible, without any potential damage to the art.

All of our frames come with picture quality .090 mm plexiglass, which blocks 66% of UV to prevent color fading from exposure to light, keeping your art protected for years to come. It is now considered the industry standard for artists, museums and galleries throughout the world.

For images up to 30" x 40"

• 1 1/4” wide, 3/4” deep, with a 2 1/2” wide mat.
• We generally leave 1/4” - 1/2” of paper showing around the image, to accommodate signatures and for visual appeal.

For sheet sizes larger than 30” x 40" please contact an Artspace advisor for a custom quote.

Our art editions ship in 7 to 10 business days from New York.

Our framed art editions ship in 11 to 14 business days from New York.

This work is eligible for return within 30 days of receipt of delivery.

Questions about this work?

Interested in other works by this artist or other artists? We will source them for you.

Contact an Artspace Advisor at advisor@artspace.com