Stories

Keith Haring, born on May 4, 1958, transformed public spaces into vibrant canvases with his iconic pop-infused graffiti, gaining fame from his subway chalk drawings to opening his Pop Shop in Soho. In 1989, to mark the twentieth anniversary of the Stonewall Riots, he created a striking mural titled Once Upon a Time in the men’s room of New York’s Lesbian and Gay Community Services Center, celebrating this pivotal moment in LGBTQ+ history with exuberant, joyous imagery. This mural, once hidden in a lavatory, now serves as a powerful testament to art’s ability to challenge boundaries and foster community, embodying the spirited intersection of queer culture and creative expression.

This year’s Frieze Art Fair in New York highlights a surge in political activism through contemporary art, showcasing collectives that challenge individualism and institutional power. Featured works include pieces by renowned duo Elmgreen & Dragset, Cuban collective Los Carpinteros, and the playful Arabian group GCC, all critiquing state apparatuses, societal constructs, and diplomatic rituals. The fair also hosts discussions on art’s role in political and social change, while British duo Thomson & Craighead present an apocalyptic multimedia installation evoking a sense of looming fear. This vibrant display of collaborative creativity and activism reflects the evolving landscape of contemporary art today.

In an insightful interview coinciding with his Outstanding Contribution to Photography award at the 2017 Sony World Photography Awards, Martin Parr shares fascinating glimpses into his unique career. Despite heading the renowned Magnum Photo agency, Parr reveals he avoids the harsh realities of war photography, instead focusing on capturing the quirks and subtleties of Western life, which he has explored passionately for over 45 years. From photographing a Mormon family with polygamous ties in the US to waiting patiently for the perfect moment in a Hungarian bathhouse, Parr emphasizes the dedication, patience, and personal connection needed to capture compelling images. Known for sparking controversy with his bold approach, he embraces criticism as part of his artistic journey, viewing it as a catalyst rather than a deterrent. Through his lens, even the familiar becomes intriguingly exotic, especially his native Britain, making Parr's work a celebration of everyday oddities with a unique and enduring perspective.

Lauren Greenfield’s compelling new photographic book, Generation Wealth, offers a powerful political and economic commentary on the global obsession with wealth. Over 25 years, Greenfield has captured striking images from Los Angeles to Moscow, chronicling the rise and fall of fortunes and the cultural impact of affluence—from a young Kim Kardashian to contemporary oligarchs and aspiring billionaires. Her work unflinchingly explores the allure and consequences of wealth, blending humor and horror in vivid, personal storytelling. Celebrated for her award-winning documentary The Queen of Versailles, Greenfield brings sharp social insight, which she will discuss alongside economist Anne McElvoy at an event in London. This evocative collection reveals much about our times and the far-reaching influence of money in a globalized world.

Sarah Sze’s latest installation, Blueprint for a Landscape, transforms the 96th Street St 2nd Avenue subway station into a dynamic artistic experience that mirrors the rhythms of urban movement. Drawing inspiration from Cubists, Russian Constructivists, and Futurists, Sze’s work plays with perception, speed, and stillness through a series of tiled wall designs that guide travelers like a visual way-finding system. This public art piece not only beautifies a democratic space but reflects Sze’s personal journey from sketching subway riders to having her art permanently installed in the city’s transit system, promising to engage commuters for generations to come.

The Faurschou Foundation, a dynamic new art institution founded by Danish collector Jens Faurschou, continues to elevate its profile with a captivating Peter Doig exhibition in Beijing titled "Cabins and Canoes: The Unreasonable Silence of the World." Curated by Christie’s expert Francis Outred, the show features iconic large-scale works like Swamped and The Architect’s Home in the Ravine, which have set impressive auction records. Doig’s paintings, rich with beautiful yet enigmatic landscapes, explore themes of wandering and alienation, masterfully paired with evocative lines from Albert Camus’ essay The Myth of Sisyphus. This unexpected literary connection deepens the experience, inviting viewers to sense the “unreasonable silence” underlying the lush imagery, making for a thought-provoking showcase this spring.

Mexican chef Enrique Olvera champions the flavors of escamoles—queen ant eggs traditionally harvested from agave roots—describing their taste as a delightful mix of young blue goat’s milk cheese, avocado, and fresh almond. These insect delicacies, enjoyed in Mexico since pre-colonial times, are now gaining fresh attention thanks to Olvera, Nordic Food Lab’s Josh Evans, and renowned chef René Redzepi, who is preparing to showcase escamoles at his upcoming Noma Mexico pop-up in Tulum. Celebrated for his innovative use of local, foraged ingredients, Redzepi dubs the ant eggs “Mexican caviar,” inviting a new generation of diners to discover the culinary potential of edible insects. For more insights into this fascinating gastronomic trend, the book *On Eating Insects* offers a deep dive into the flavors and cultural significance of insect cuisine.

Renowned vegetable virtuoso Jeremy Fox embarks on a vibrant five-city North American tour to celebrate his new book, *On Vegetables*. Starting in San Francisco with exclusive dinners, talks, and signings, he then heads to Toronto, New York City, Chicago, and finally Santa Monica, sharing his inventive, vegetable-focused cuisine through special meals and engaging events. This culinary journey highlights Fox’s dedication to elevating vegetables, offering fans a delicious taste of his art alongside opportunities to meet the chef and explore his recipes firsthand.

Martin Parr’s upcoming exhibition at Somerset House in London celebrates his remarkable career with an array of images capturing British life, from his early black-and-white shots in small communities during the 1970s to his vibrant, color-saturated works influenced by American photographer William Eggleston. The show, running from April 21 to May 7, coincides with Parr receiving the World Photography Organisation’s Outstanding Contribution to Photography award and offers a fascinating look at both the quiet composure of his early monochrome photos and the lively, raucous spirit of his later work, inviting audiences to explore the full spectrum of his visual storytelling.

In a captivating new interview, legendary fashion icon Grace Coddington reveals the intriguing story behind a 2014 Vogue shoot by Tim Walker, featured in her book *Grace: The American Vogue Years*. Inspired by the Metropolitan Museum’s gala themed around the work of Charles James, the shoot showcased exquisite paper recreations of original James garments, as the priceless vintage frocks could not be worn or photographed on models for fear of damage. With the inventive help of Tim Walker and set designer Rhea Thierstein, Grace transformed delicate couture into stunning paper art, capturing the spirit of the originals while preserving their legacy in a truly extraordinary way. Fans eager to explore more behind-the-scenes tales and iconic fashion moments can delve into *Saving Grace: My Fashion Archive 1968-2016*.

Had Lou Reed lived, he would have celebrated his 75th birthday today, a milestone for an artist who famously renounced drink and drugs after decades of indulgence. Imagining him now, one might picture Lou practicing tai chi, immersed in Baudelaire’s poetry, or jamming with his old friend David Bowie in classic Seventies style. This tribute recalls stunning photos by teenage Stephen Shore at Andy Warhol’s Factory, where Reed often appeared, blending art and music with The Velvet Underground. As we remember Lou, we honor his lasting influence, playing *Songs For Drella*, an album that remains as powerful and evocative as ever.

Andy Warhol's legendary social scene comes to life in Stephen Shore’s book, Factory: Andy Warhol Steven Shore, capturing the eccentric mix of Ivy League intellectuals, European art stars, and rock musicians who made his parties unforgettable. From the wild antics of Nico, who stunned guests by ladling punch straight from the bowl, to Lou Reed’s fragile but creative beginnings under Warhol’s avant-garde influence, and the quirky ledgers of Velvet Underground expenses that amused Shore’s father—these stories reveal the vibrant, chaotic world Warhol cultivated. Filled with candid anecdotes and rich photographs, the book offers an intimate glimpse into the buzzing energy of Warhol’s Factory, where art, music, and legendary personalities collided.

Virgilio Martinez, renowned for his innovative use of Peru’s unique microclimates to create culinary “ecosystems,” has rapidly become a global culinary icon, with his Lima restaurant Central ranked fourth in the World’s 50 Best. Netflix’s upcoming Chef’s Table season spotlights Martinez’s artistic vision and adventurous spirit, capturing his deep connection to his homeland’s diverse altitudes and ingredients. Series creator David Gelb highlights the intense dedication chefs like Martinez bring to their craft, comparing their nightly performances to stage shows that must consistently inspire and impress. The collaboration behind the scenes reveals Martinez’s leadership and passion, as he shares his journey from kitchen to mountains. As Chef’s Table continues to evolve, Gelb looks forward to future seasons and new ventures, while food lovers can dive deeper into Martinez’s world through his acclaimed book, Central.

Wolfgang Tillmans, the groundbreaking German photographer and the first non-British artist to win the Turner Prize, offers a captivating exploration of change and connection in his latest Tate Modern exhibition. Centered around the pivotal year 2003, marked by global upheaval and Tillmans’s own artistic evolution into vibrant experiments with color, form, and digital technology, the show delves into both political and personal realms without being overtly political. Through a stunning array of images that reflect the natural world and a globally intertwined society, Tillmans’s work invites viewers to embrace hope and recognize the beauty in our differences as they simultaneously unite us.

Californian artist Raymond Pettibon has created an astonishing body of work, estimated at around twenty thousand drawings since 1978, with 800 pieces featured in the largest retrospective of his career at New York’s New Museum. Pettibon’s art is a complex interplay of image and text, demanding viewers actively engage to uncover layered meanings that blend literary references, personal memoir, and cultural critique. His use of pop culture icons like Superman, Batman, and Felix the Cat transcends nostalgia, transforming these figures into powerful symbols of American identity, trauma, and history. Far from straightforward, Pettibon’s work invites deep interpretation, revealing a rich intellectual foundation and a unique vision that challenges and captivates in equal measure.

When New York photographer Patty Heffley discovered her once-abandoned elevated train line transformed into the vibrant public park known as the High Line, she responded with spontaneous fire escape performances, sparking a creative ripple. Inspired by Patty’s Renegade Cabaret, architect Liz Diller—who helped design the park—has teamed up with composer David Lang and sound designer Brude Odland to create the ambitious Mile Long Opera, set to debut in 2019. Diller’s background in art installations and previous collaborations with Lang highlight a seamless blend of architecture, performance, and sound that promises to bring a unique operatic experience to this iconic urban space, blending the past spirit of New York’s punk scene with cutting-edge artistic innovation.

Season 3 of Chef’s Table premieres on Netflix on February 17, featuring culinary luminary Virgilio Martinez, the Peruvian chef and author behind Central. Series creator David Gelb shares why Virgilio stands alongside global gastronomic icons like Massimo Bottura and Alex Atala, highlighting chefs as true artists whose nightly performances require immense skill and dedication. Virgilio’s adventurous spirit and deep connection to the unique elements of his homeland make him a compelling figure in the series. The documentary captures not only his innovative cuisine but also the collaborative process behind the show’s creation. Looking ahead, Gelb hints at more seasons of Chef’s Table and exciting new ventures in virtual reality storytelling. For fans eager to explore Virgilio’s culinary world further, his acclaimed book Central offers an intimate journey into his extraordinary cuisine.

When Hollywood star Shia LaBeouf transitioned into the fine art world in 2014, he embraced collaboration over solo creation, partnering with Central Saint Martins graduates Nastja Säde Rönkkö and Luke Turner. Together, they crafted provocative works blending performance and public engagement, from the silent, interactive installation #IAMSORRY to the GPS-driven hitchhiking project #TAKEMEANYWHERE. Their most ambitious piece, He Will Not Divide Us, launched during President Trump's inauguration, inviting continuous public participation as a mantra of resistance streamed live for the duration of the presidency. Despite skepticism from both the art world and Hollywood peers, LaBeouf and his collaborators have reclaimed collective creative expression and protest, proving that even movie stars thrive best in teamwork.

Jeremiah Stone and Fabian von Hauske’s Michelin-starred Manhattan restaurant, Contra, embodies a fresh, local approach to New York cuisine—blending precise, subtle cooking with city-inspired ingredients and attitude. From their diverse backgrounds in Maryland and Mexico City to prestigious European kitchens like Noma and Faviken, their shared philosophy centers on highlighting delicate flavors over heavy seasoning. Situated in the vibrant immigrant-rich neighborhood of Orchard Street, Contra and its wine bar Wildair focus on low-alcohol, natural wines that complement their thoughtful dishes. Beyond just food, their upcoming Phaidon book promises to explore the rich network of relationships with chefs, farmers, and artisans that shape their culinary vision, reinforcing a progressive yet authentic New York dining experience.

New York City’s new Second Avenue Subway is set to open its first phase on January 1, 2017, unveiling four stunning stations at 63rd, 72nd, 86th, and 96th Streets, each featuring unique tile murals by acclaimed artists Sarah Sze, Chuck Close, Vik Muniz, and Jean Shin. These artworks offer vibrant interpretations of city life—from Sze’s abstract, rhythmic “Blueprint for a Landscape” at 96th Street, capturing the bustling pace of modern life, to Close’s iconic portraits of famous New York art figures at 86th Street. Muniz brings to life everyday New Yorkers in full-figure portraits at 72nd Street, while Shin’s work at 63rd Street reflects historical memories of the old elevated train lines, providing a captivating visual journey that bridges past and present beneath the city streets.

Our new book, *Plant: Exploring the Botanical World*, invites readers to marvel at 300 stunning botanical images spanning centuries, capturing the vibrant life and delicate transience of plants. Among these treasures is a poignant herbarium crafted by the young Emily Dickinson, whose pressed flowers reflect not only her fascination with nature but also her contemplation of mortality and immortality. This collection reveals Dickinson’s intimate connection to the plant world—from meticulously labeling hundreds of specimens to preserving flowers for friends accompanied by poems—offering a beautiful glimpse into a 19th-century pastime infused with poetic depth. Delve into this rich visual journey celebrating both scientific discovery and artistic wonder in the botanical realm.

As Christmas approaches and gift lists take shape, artist Sarah Sze invites us into her world of transforming the everyday into sculptural marvels. In a fascinating interview with Paul Bernard Holdengräber for the New York Public Library, Sze shares her favorite objects that inspire her art, revealing her deep engagement with themes of time, value, and the interplay between permanence and impermanence. From the ancient ritual rebuilding of Japan's Ise Shrine to an innovative sculpture made from humble toilet paper, Sze explores how ordinary materials and timeless practices fuel creative expression. She contrasts the ephemeral with the eternal through admiration for Vermeer's exquisite domestic scenes and Robert Rauschenberg's boundary-blurring textiles, highlighting art's connection to craft, history, and everyday life. This thoughtful glimpse into Sze’s influences not only enriches our understanding of her work but also sparks fresh appreciation for the beauty hidden in the mundane.

Grace Coddington, Vogue’s creative director at large, reflects on her illustrious career in the elegant collection Saving Grace: My Fashion Archive 1968-2016, which showcases her iconic collaborations and visionary fashion storytelling. Alongside model-turned-photographer Ellen Von Unwerth, Grace captures moments where models shed inhibitions and embrace spontaneity, bringing cinematic narratives to life through meticulous, inspired shoots. From John Galliano’s delicate ball gowns on a remote Jamaican beach to a romantic journey inspired by The English Patient, their work blends high fashion with vivid real-world settings. Notably, Grace recalls a memorable shoot on an Amish farm in Pennsylvania, where simplicity and authenticity perfectly embodied the austere fashion of the early ’90s, highlighting her incomparable ability to fuse creativity with a sense of place.

In her first UK retrospective at BALTIC, Monica Bonvicini transforms industrial materials and construction site tools into provocative artworks that explore themes of power, sexuality, and gender dynamics. Drawing on her early career installing exhibitions and her experiences in Berlin’s gay sadomasochism clubs, Bonvicini blurs the lines between macho environments and eroticism through pieces like leather-covered tools, rubberized harnesses, and chained fluorescent lights. Her work challenges the boundaries of art and society, using familiar materials to expose the hidden sex and strength embedded in everyday structures, inviting viewers to reconsider who defines limits and how power is displayed in our built world.

Charles Darwin initially struggled to understand the purpose of the peacock’s extravagant tail, as it seemed like a cumbersome hindrance rather than an advantage in survival. His explorations of Galápagos finches led him to the pivotal idea that species evolve through small, advantageous changes over generations, but the peacock’s tail posed a mystery. Darwin and Alfred Russel Wallace later proposed that such elaborate features likely evolved to attract mates, and recent studies even suggest these impressive tails might help intimidate predators, offering a dual survival benefit. This fascinating interplay of beauty, survival, and evolution is captured in stunning photographs by Robert Clark in the book *Evolution: A Visual Record*, which invites readers to see natural selection through a vibrant, eye-opening lens.

German painter Gerhard Richter’s enduring belief in art as a profound source of hope and solace shines through in this reflective interview. At 84, Richter reaffirms art’s comforting power, sharing how timeless works like the 16th-century Isenheim Altarpiece, with its tragic yet beautiful depiction of Christ, provide deep emotional resonance. While he notes a shift in contemporary art towards a more playful and democratic spirit, echoing novelist Thomas Mann’s prediction, Richter highlights that the abundance of art today offers unprecedented opportunities for inspiration and comfort. His perspective invites us to appreciate the enduring, human value of beauty in art as a vital wellspring of optimism.

Our new book, *Plant: Exploring the Botanical World*, celebrates the rich history of botanical art with 300 stunning and pioneering images created by botanists, illustrators, and fine artists alike. Among these is the work of Edward Steichen, a renowned 20th-century photographer and horticulturalist whose passion for breeding delphiniums at his Connecticut farm shines through in his evocative compositions. Steichen’s photographs blend artistic mastery and botanical expertise, capturing the beauty of his plants while reflecting the turbulent times of World War II. His delphinium exhibitions at the Museum of Modern Art are hailed as early examples of bio art, showcasing flowers in a mesmerizing palette of blues and mists. Delve into the world of botanical imagery with *Plant: Exploring the Botanical World* and discover the art and science intertwined in nature’s most captivating forms.

T Magazine recently showcased stunning photographs from the book Elemental Living, highlighting contemporary homes that beautifully blend with their natural surroundings. Featured designs range from the Alpine Shelter nestled high in the Slovenian Alps to Sydney’s cliffside Holman House, inspired by Picasso’s art. The selection also includes John Pawson’s Montauk House on Long Island, whose sand-colored exterior mimics driftwood, and the Mimetic House in Ireland, with mirrored facades that perfectly camouflage it in the landscape. These breathtaking homes celebrate a profound connection between architecture and nature, offering a visual escape for those longing for serene retreats.

Sasha Petraske, the legendary bartender behind New York’s iconic Milk & Honey, revolutionized cocktail culture not only through his expert craftsmanship but also with a unique and playful set of bar rules that rewarded certain patrons with complimentary drinks. From offering free drinks to old-timey dressers, emergency service workers, and even patrons with cats on their shoulders, to strictly excluding celebrities and food journalists, his policies created an exclusive yet quirky atmosphere where respect, style, and character mattered more than fame. Patrons were charged thoughtfully, and generosity was balanced with discretion to ensure a welcoming, safe, and memorable experience. This glimpse into Sasha’s ethos is captured in the book *Regarding Cocktails*, providing a fascinating look at the art of fine drinking and bar culture.

Evolution: A Visual Record showcases 200 striking images by award-winning photographer Robert Clark, capturing the stunning diversity and complexity of life shaped by Darwinian natural selection. The book not only highlights the wonders of nature, from birds and butterflies to fossils and mammals, but also delves into the intriguing story of dog breeds—an exception shaped by human-directed artificial selection. While breeders have sculpted breeds like poodles, greyhounds, and bulldogs to emphasize distinct traits, the origins of domestic dogs remain a fascinating mystery, with recent genetic findings revealing links to ancient wolves. This visual journey invites readers to explore how natural and artificial selection have intertwined to shape the animal kingdom and poses poignant questions about the consequences of human intervention in evolution.

Andy Warhol: My Perfect Body, a new exhibition at The Andy Warhol Museum in Pittsburgh, offers a deep dive into the artist’s complex relationship with the body. Featuring a range of works from his early 1962 repainting of a rhinoplasty ad to his provocative "oxidisation" paintings where urine activated copper paint, the show reveals Warhol’s fascination with both physical perfection and imperfection. Through pieces like physiological diagrams, images juxtaposing Christ with bodybuilders, and candid Polaroids of his own post-shooting wounds, the exhibition explores Warhol's vulnerability and self-presentation. Even his iconic empty Electric Chairs series is re-examined as a haunting surrogate body. This revealing collection paints a portrait of Warhol as an artist deeply engaged with the body, both its celebrated forms and its fragilities.

At 91, Etel Adnan stands as a vibrant testament to a lifetime of creativity and wisdom, having flourished as a painter, poet, journalist, novelist, and lecturer over seven decades. Deeply understanding art’s role in society, Adnan powerfully describes art as a force that humanizes, elevates, and connects us beyond our physical selves, feeding the spirit and soothing fears. She expands the definition of art to include everyday acts done with care—like gardening, cooking, and sewing—highlighting their artistic instinct and transcendent potential. Adnan’s insightful perspective invites us to see art not just as decoration, but as an essential, living thread in the fabric of society.

More than a thousand years after the Chinese discovery of gunpowder, artist Cai Guo-Qiang channels its explosive power to bridge the ephemeral and the immortal. Sky Ladder, a riveting new Netflix documentary directed by Kevin Macdonald, traces Cai’s journey from his childhood in Mao-era China to global art stardom, focusing on his breathtaking 500-meter burning ladder launched in 2015 near his birthplace. Blending land art, fireworks, and sky writing, Cai’s work is a cathartic response to cultural repression, as he transforms destruction into creation through grand explosive displays. Yet, as the film reveals, his visionary projects often clash with political constraints, underscoring the ongoing battle behind his spectacular artistic achievements.

UK punk rock was not just a music revolution but a vibrant cultural movement defined by a raw DIY spirit and striking visual identity. Toby Mott, author of "Oh So Pretty - Punk In Print 1976-80," takes us back to the era of seminal punk tracks that shaped the scene, sharing personal reflections on classics like the Sex Pistols' "Anarchy In The UK," The Clash's dub-infused "Complete Control," and the liberating anthem "Oh Bondage Up Yours!" by X-Ray Spex. From the working-class roots of The Jam and the futuristic edge of Tubeway Army to the political fire of The Clash's "White Riot" and the youthful energy of The Undertones' "Teenage Kicks," this curated playlist celebrates punk’s diverse sounds and social impact. Mott’s insights reveal how these songs captured rebellion, identity, and a transformative moment in music and society.

Jack Whitten’s Queens studio is a fascinating blend of workshop and laboratory, filled not with traditional paintbrushes but with an array of inventive tools and containers brimming with acrylic paint. Since the early 1970s, Whitten revolutionized painting by pouring and dragging paint with custom-made implements, creating physical yet elegant works marked by vibrant striations of color. Reflecting on his artistic philosophy, Whitten describes himself as “Quantum man,” transcending conventional boundaries of identity, race, and politics, and emphasizing deep collaboration with matter through imagination and persistent exploration. His work embodies the concept of entanglement—a flexible, resilient force binding disparate elements—born from decades of rigorous research into the nature of matter, both physical and psychic. Known for both creation and destruction of his pieces, Whitten maintains a commitment to honoring the visual as sacred, seeking to transform rather than pollute it, a vision celebrated in the Vitamin P3 series that highlights innovative contributions to contemporary painting.

US photographer Cindy Sherman has been awarded Japan’s prestigious Praemium Imperiale painting prize, an unexpected but meaningful recognition of her influential self-portraiture created through photography rather than traditional painting. Since 1989, the Japanese state has honored pioneers across various artistic fields, including photography and video, alongside celebrated painters like Gerhard Richter and Willem de Kooning. Joining a distinguished group of laureates this year, including Martin Scorsese and Paulo Mendes da Rocha, Sherman is being celebrated for her significant international impact and contribution to the global arts community. She will receive ¥15 million ($145,000) and her medal at a ceremony in Tokyo this October.

In 2014, the tragic shooting of twelve-year-old Tamir Rice by a Cleveland police officer sparked national outrage and fueled the Black Lives Matter movement. Now, the very gazebo where Rice was fatally shot is set to be relocated to Chicago by artist Theaster Gates, known for transforming neglected urban spaces into meaningful art installations. Gates and the Rice family hope the gazebo will become a powerful site for mediation and reconciliation at the Stony Island Arts Bank, turning a painful symbol into a place of healing and reflection.

Ai Weiwei, widely known as an artist and activist, has gained fresh recognition for his compelling smartphone photography, particularly through his Instagram account where he documents daily life, exhibitions, and the ongoing European migrant crisis. His upcoming exhibition at Amsterdam’s Foam gallery, titled Ai Weiwei - #Safepassage, opens on September 15 and focuses on the human impact of migration, showcasing his iconic refugee images alongside sculptures and films. The show explores the tension between individual lives and overarching societal systems, highlighting Ai’s critical perspective not only on China’s political landscape but also on Europe’s handling of refugee flows, tying his broader themes of power, displacement, and humanity into a poignant visual narrative.

Mohamed Younes Idriss, the talented Sudan-born high jumper based in Cologne, may have missed qualifying for the 2016 Olympics, but thanks to French artist and activist JR, he’s found a striking new platform in Rio. JR unveiled a dramatic scaffold portrait of Mohamed mid-jump atop an apartment block, part of his Inside Out Project—a public art initiative that highlights overlooked individuals across the globe. Known for shining a light on diverse communities, JR’s latest work celebrates athletes who didn’t make the Olympic cut but are immortalized through bold, captivating street art, reminding us of the powerful stories behind the games.

Following Prohibition, many small American breweries were absorbed into larger companies producing uninspired lagers, prompting passionate beer lovers and homebrewers to craft small-batch, artisanal beers now known as Craft Beer. The Smithsonian’s National Museum of American History is celebrating this vibrant cultural movement by seeking a scholar to research and document the history of American brewing with a focus on the craft industry. This unique opportunity involves conducting archival and field research, oral history interviews, and writing for diverse audiences, offering a three-year appointment that blends scholarly work with a deep appreciation for beer culture.

The new Georgia O’Keeffe exhibition at Tate Modern, the first major UK retrospective in two decades, seeks to challenge long-standing misconceptions about the artist, especially the persistent sexual interpretations of her work. Curator Tanya Barsons highlights O’Keeffe’s intelligence and passion, emphasizing her focus on form, design, and beauty rather than erotic symbolism. This exhibition also explores the complex influence of her husband, Alfred Stieglitz, whose own avant-garde views and fascination with sexuality shaped public perceptions of O’Keeffe’s paintings. Despite O’Keeffe’s denial of these interpretations, some of her work may subtly reflect such themes. Yet the show ultimately encourages viewers to look beyond these readings and appreciate her mastery of color and form, especially as she evolved in later life, finding solitude and fresh inspiration in the landscapes of New Mexico, where she created some of her most striking compositions.

Andy Warhol’s 1981 Myths series brilliantly captures the complex and often contradictory nature of American identity through iconic figures from popular culture, ranging from Dracula and Mickey Mouse to Uncle Sam and Superman. Using Polaroid photographs of actors portraying these characters, Warhol crafted silk-screened prints that explore the blend of fantasy and reality in the national imagination. By including himself as the mysterious crime-fighter The Shadow, Warhol hinted at his own role as a cultural observer and participant in this myth-making. The series reflects a media-saturated America, where advertising, film, and TV create modern heroes and villains, offering a compelling commentary on how collective dreams shape the nation’s sense of self.

Japanese houses have long fascinated architecture enthusiasts with their creativity and striking designs, a passion reflected in the 400-page book Jutaku. Now, London's Barbican Gallery further celebrates this with its spring 2017 exhibition, The Japanese House: Architecture and Life after 1945, showcasing how Japan’s post-WWII economic shifts, demographic changes, and planning laws have influenced its unique domestic architecture. Featuring iconic works from architects like Yoshiharu Tsukamoto, Sou Fujimoto, and Toyo Ito, the show expands beyond architecture to include cinema, photography, and art, providing a rich and insightful look into Japan’s evolving home culture that continues to inspire worldwide.

Contemporary artist Wolfgang Tillmans reflects on the emotional impact of the recent EU Referendum, expressing a poignant sense of loss for the open and international spirit symbolized by landmarks like Tate Modern and the Millennium Bridge. While not deeply depressed by the vote to leave, Tillmans acknowledges a profound sadness rooted in the broader wave of political upheaval that Tony Blair once described—a rising tide of populism fueled by frustration with globalization and elites. He warns that this right-wing populism threatens the pillars of the free world order established over the past 70 years and calls on all of us to defend these values with courage, emphasizing that the majority still supports openness and unity.

Massimo Bottura, celebrated as a pioneer of modern Italian cuisine, draws deeply from his familial roots and cherished memories to craft innovative dishes that honor tradition while boldly reinventing it. In his book *Never Trust a Skinny Italian Chef*, Bottura shares stories of growing up alongside his grandmother and mother, whose recipes and nurturing shaped his culinary foundation. He transforms humble family dishes like pasta e fagioli and mortadella sandwiches into artful creations layered with creativity and emotion. Bottura’s influences extend beyond blood relatives to mentors and loved ones, including his wife’s introduction to contemporary art and his father-in-law’s inspiring culinary flair—reminding us that family and shared experiences are the essential ingredients behind his celebrated cuisine.

Sarah Sze’s intricate sculptures, made from everyday objects to entire SUVs, reveal a deeply personal and social dimension that reflects her life and relationships. In a recent profile, the renowned artist shares how her work is enriched by the company of friends and family, including her husband Siddhartha Mukherjee, a Pulitzer Prize-winning physician and author, and their close-knit circle of accomplished creatives. Rooted in a family history of remarkable achievements, Sze’s commitment to excellence was instilled by her parents, shaping her artistic vision. Despite her high-profile life, she embraces the quirks and imperfections of balancing art and family, offering a fascinating glimpse into the world behind her mesmerizing installations.

Richard Sapper’s iconic Tizio desk lamp, designed in 1972 for Artemide, stands out as a brilliant solution for cluttered workspaces, blending sleek modernism with practical functionality. Unlike traditional lamps that demand clear space and produce uncomfortable glare, the Tizio’s ingenious design features a long swivel arm balanced by a counterweight, allowing precise lighting on any part of a desk without disrupting the chaos of everyday life. Created with a matte black finish to seamlessly complement any environment, the Tizio lamp embodies Sapper’s philosophy of focused illumination and elegant restraint. Celebrated with prestigious awards and housed in major museums like MoMA and the Met, the Tizio remains a timeless embodiment of thoughtful design for real-world living.

At 91, Etel Adnan is emerging as a celebrated figure in the international art world, adding visual artistry to her accomplished career as a Lebanese American novelist, poet, and philosopher. Born in Lebanon and educated in Paris, Harvard, and Berkeley, Adnan’s rich cultural heritage and life experiences deeply inform her vibrant abstract paintings and innovative works, including oil on canvas, watercolors, and wool tapestries inspired by Persian rugs. Her new show, The Weight of the World at London’s Serpentine Sackler Gallery, showcases decades of creative output—spanning from the 1960s to 2016—alongside films, poetry, and evocative concertina-fold sketchbooks. A profound love for nature, especially Mount Tamalpais, threads through this diverse collection, reflecting a life lived fully across languages, continents, and artistic mediums.

The Louvre embraced the unconventional artistry of JR by granting him full creative control to transform its iconic glass pyramid with a striking trompe l'oeil panoramic paste-up and host a vibrant 24-hour celebration. The event featured a master class, discussions with fellow artists and a philosopher, an exclusive film screening with Agnès Varda, a magical performance, nocturnal tours, and a mesmerizing six-hour concert inside the pyramid. The next morning, chef Jean Imbert prepared a Greco-Roman-inspired breakfast beside classical sculptures, followed by a creative workshop and an outdoor performance where JR and Chinese artist Liu Bolin playfully attempted to merge with the artwork — a reminder that JR’s impact is impossible to overlook.

Parisian art lovers have been treated to a stunning new installation as JR, the city’s greatest living public artist, wraps the iconic Louvre pyramid in a striking black-and-white trompe l'oeil that seamlessly blends the glass structure into the Cour Napoleon. To celebrate the completed work, JR invited Arcade Fire’s Win Butler and Régine Chassagne to perform a free DJ set at the nearby Jardin des Tuileries, delighting the crowd with a mix of classic art pop and an intimate rendition of their own hit, My Body is a Cage. The installation remains on view until June 27, with JR promising even more surprises across the Louvre and the first arrondissement, featuring appearances by notable figures like filmmaker Agnès Varda, model Cara Delevingne, and musician Matthieu Chedid. For those eager to dive deeper into JR’s visionary world, his book JR: Can Art Change the World? offers an insightful exploration of his extraordinary work.

Yayoi Kusama’s latest exhibition at the Victoria Miro Gallery in London invites visitors into a mesmerizing world of infinity and introspection, featuring new paintings from her My Eternal Soul series, iconic pumpkin sculptures, and sensory mirror rooms designed to evoke both wonder and contemplation. Highlighted by the stunning daylight-activated stainless steel installation "Where The Lights In My Heart Go," Kusama’s work explores the tension between self-obliteration and monumental self-expression through infinite patterns, nets, and reflective surfaces that envelop viewers in a vast psychological and cosmic space. Curator Marie Laurberg emphasizes Kusama’s enduring themes of infinity and the abyss, rooted in her early inspirations from nature and her groundbreaking installation art from the 1960s, making this exhibit a profound journey through desire, fear, and the infinite unknown.

In a world obsessed with perfection, photographer and author Erik Kessels reminds us of the charm in embracing imperfections. Known for his book *Failed It!*, Kessels celebrates those happy accidents that happen without any effort, such as the hilariously disastrous moment when his photo backdrop repeatedly collapsed during a shoot at Photo London. Far from staged, these candid slips highlight the beauty of failure and the appeal of things going wonderfully wrong in an era saturated with flawless images. Stay tuned for an upcoming interview with Erik, but for now, enjoy this joyful glimpse into his perfectly imperfect world.

Parisian artist JR is transforming the Louvre with his innovative anamorphic art, blending the iconic I M Pei pyramid into the Cour Napoléon courtyard through striking visual distortions. While the exhibition officially opens on May 25, social media is already buzzing with images of this bold, accessible installation. The excitement culminates on May 29 with a 24-hour museum takeover, a vibrant multimedia event featuring collaborations with notable creatives like filmmaker Agnes Varda, model Cara Delevingne, and musician Matthieu Chedid, making it a must-see celebration of contemporary art and audience interaction.

Born in divided West Germany and rising to fame through British youth culture photography, Wolfgang Tillmans is a distinctly European artist who is now passionately advocating for the UK to remain in the EU. Known for his moderate public stance, Tillmans is targeting young voters with a “stay in” campaign, emphasizing the crucial need for voter registration ahead of the referendum. He warns that Brexit could weaken the EU, empowering authoritarian forces like Putin and far-right parties, and argues that the EU, despite its flaws, upholds democracy, human rights, and cooperation. Tillmans sees the referendum as a pivotal moment and urges people to resist polarisation, defend moderation, and realize that leaving the EU risks strengthening anti-democratic movements and increasing bureaucratic obstacles. Through a series of freely available posters, he encourages widespread sharing and engagement to ensure that everyone, especially younger voters, can have their say in shaping Europe’s future.

Patrick Grant, known for his role on The Great British Sewing Bee and his revitalization of Saville Row’s Norton & Sons, reveals how Martin Parr’s evocative photography, especially from the book *Boring Postcards*, inspired his latest E. Tautz collection. Grant admires Parr’s empathetic and vivid portrayal of British life, capturing both its pomp and its playful underbelly through bright, saturated colors that inject joy into an otherwise grey landscape. Drawing on themes of post-war Britain’s embrace of modernity and communal spirit, Grant’s designs reflect the desaturated hues and geometric patterns seen in Parr’s work, celebrating everyday British icons like holiday camps and colorful chalets. This intersection of art, fashion, and cultural history highlights how Grant weaves storytelling and national identity into his stylish collections.

Last night’s launch of Martin Parr’s new book, *Real Food*, took place at the stylish E. Tautz boutique in Mayfair, hosted by fashion innovator Patrick Grant. Known for his appreciation of Parr’s iconic work, Grant drew inspiration from Parr’s legendary *Boring Postcards* series for his latest collection. The event attracted an exclusive crowd, including influencers and writers from leading publications like the Financial Times and Wallpaper*, all eager to meet the legendary photographer. Parr was in great spirits, signing copies and engaging warmly with guests. Highlighting E. Tautz’s commitment to handmade, UK-manufactured fashion since its 2009 relaunch, the evening was a perfect blend of art, style, and celebration.

The Tate Modern is set to host a mid-career retrospective of Wolfgang Tillmans, the German Turner Prize-winning photographer known for his innovative visual arts, performance, and installation work. Focusing on his output since 2003, the show will also feature a unique ten-day installation in the Tate’s South Tank, showcasing live events. Tillmans’ diverse approach spans from magazine photography—starting with i-D and vintage publications—to immersive music experiences, such as his Berlin gallery’s listening room dedicated to 1980s indie band Colourbox. His eclectic “multi-vectored” hanging style layers framed and unframed images to create dynamic, inclusive narratives, while his personal projects include striking astronomical images like the 2004 transit of Venus. Collaborations with artists like Isa Genzken and Jenny Holzer further highlight his integrated artistic community, promising a multifaceted and engaging exhibition.

Mark Bradford, the acclaimed Californian artist and U.S. representative at the 2017 Venice Biennale, challenges traditional notions of abstract painting by transforming found urban materials into layered, complex works that reflect the sociopolitical landscape of his South Los Angeles neighborhood, Leimert Park. Using discarded paper advertisements and posters collected from the streets—what he calls "merchant posters"—Bradford constructs intricate compositions that, while seemingly abstract, reveal a deeper engagement with real-life themes of community, identity, and the city’s vibrant pulse. His art, described as “devouring machines” by Museu de Arte de São Paulo’s Adriano Pedrosa, blurs the line between painting and collage, offering viewers an evocative map of urban life that resists simple interpretation, embodying the histories and stories embedded in everyday ephemera.

Food & Beer tells the story of Daniel Burns, a mathematician-turned-chef whose passion for precision and creativity led him from a scientific upbringing in Nova Scotia to the kitchens of culinary legends like Heston Blumenthal, Noma, and Momofuku. His journey took a transformative turn when he met brewer Jeppe Jarnit-Bjergsø, sparking a pioneering collaboration that redefined beer’s place in fine dining at their acclaimed ventures, Tørst and the Michelin-starred Luksus. This book explores their innovative approach to pairing complex craft beers with inventive cuisine, challenging traditional dining norms and elevating beer to a sophisticated culinary experience.

American sculptor Sarah Sze offers a captivating glimpse into her multifaceted art practice, blending sculpture, drawing, and the natural world. Discussing her 2011 High Line piece, *Still Life with Landscape (Model for a Habitat)*, she reveals how she creates three-dimensional models that play with perspective and space, turning the walk itself into an element of the sculpture. Drawing remains a vital, immediate first step in her creative process, embodying fragility and potential. Sze’s complex installations—incorporating everyday objects like SUVs and birth-control packets—resist simple interpretation, instead inviting viewers into shifting mental and physical landscapes. For those intrigued by her thoughtful reflections and innovative art, an upcoming talk and new monograph offer deeper insights into her life and work.

In the week following Zaha Hadid’s death at 65, much has been written about her remarkable career, with one of the most insightful pieces coming from Carolina A. Miranda in the LA Times. The article highlights the unique challenges Hadid faced as a pioneering female architect, navigating expectations not just for her innovative designs but also the added pressure of her work being viewed through a gendered lens. Hadid famously dismissed the absurd comparisons of her Qatar stadium design to a vagina, emphasizing the ridiculousness of such interpretations. Fellow architect Annabelle Selldorf reflects on the vulnerability women in the field endure, often judged not only professionally but socially. While women have made impressive strides in architecture since Hadid’s start in the 1970s, they remain underrepresented, underscoring the ongoing need to recognize and celebrate their contributions.

Cindy Sherman, renowned for her transformative self-portraits, first captivated audiences in the late 1970s with her iconic Untitled Film Stills series, where she embodied a range of classic b-movie starlets. Over the decades, Sherman's work evolved to explore themes of fame, beauty, and societal expectations, notably in her poignant Publicity Still series from 2000, which highlights the struggles of actresses facing the harsh realities of aging in Hollywood. Returning to her roots with a new exhibition at Metro Pictures, Sherman channels the elegance of Hollywood’s silent era, presenting regal, art-deco inspired images that celebrate the proto-feminist flapper style. This fresh take reaffirms her status as a pioneering artist who continuously reinvents the narrative of female identity on screen.

GilBartolomé Architects defy the typical uninspired coastal developments of southern Spain with their striking House on the Cliff, perched on an imposing 42-degree slope. Embracing the challenging terrain, they ingeniously embedded much of the living space into the hillside and crowned it with a sinuous, Gaudí-inspired zinc-shingled roof reminiscent of Barcelona’s Sagrada Familia. This bold design creates a captivating interplay between natural landscape and modern architecture, challenging the region’s tradition of low-quality construction. Inside, spacious split-level living areas seamlessly extend to a narrow pool, while custom fiberglass and resin furniture add a unique touch. With backgrounds from top London firms, the architects blend innovation and artistry, delivering a refreshing alternative to Spain’s coastal building boom.

Tomorrow marks National Beer Day in the US, celebrating the repeal of alcohol prohibition in 1933, and to honor this historic occasion, an excerpt from the new book *Food & Beer* by chef-brewer duo Daniel Burns and Jeppe Jarnit-Bjergsø offers a captivating glimpse into a day at their renowned Brooklyn bar Tørst and its Michelin-starred restaurant Luksus. From receiving fresh, locally sourced produce at dawn to the meticulous preparation and nuanced beer pairings that define their culinary approach, the day unfolds with precision and passion. The unique Flux Capacitor system ensures perfect carbonation and pressure for each beer, while the diverse beer selection spans light lagers to robust porters, all thoughtfully paired with gourmet dishes. The vibrant atmosphere eschews typical bar clichés in favor of refined camaraderie, culminating in late-night service where the team closes the bar after a full day of craft, creativity, and community—a true celebration of beer, food, and culture.

Dame Zaha Hadid, the groundbreaking architect celebrated as the greatest female architect of her time, has died suddenly at 66 from a heart attack while being treated for bronchitis. Born in Baghdad and trained in London, she founded Zaha Hadid Architects in 1979 and earned global acclaim for her innovative designs that blend architecture, landscape, and technology into fluid, visionary forms. Her landmark works, including the Vitra Fire Station, MAXXI Museum, Heydar Aliyev Centre, and London Aquatics Centre, redefined modern architecture with daring spatial concepts and advanced materials. A trailblazer who shattered glass ceilings, she was the first woman to receive the Pritzker Prize and the RIBA Royal Gold Medal, among many honors. Beyond her iconic buildings, Hadid influenced generations through her academic roles worldwide, leaving an enduring legacy that transformed the future of architectural design.

Stuart Franklin, the acclaimed documentary photographer behind the iconic 'Tank Man' image from Tiananmen Square, shares a selection of his favorite powerful photographs in his new book, The Documentary Impulse. Among his top picks featured on Artspace are Olivo Barbieri’s sun-drenched and vibrantly arranged Adriatic Sea scenes, Naoya Hatakeyama’s striking industrial "Blast" series which showcases his mastery of color, and Graciela Iturbide’s evocative photograph of a tree, symbolizing the deep connection between nature and humanity. Franklin’s curation celebrates the diverse, evocative power of documentary photography to capture the human spirit and the world around us.

Green Light is a striking medium-sized geometric lamp designed by Danish-Icelandic artist Olafur Eliasson, crafted from wood, recycled plastic, nylon, and LEDs, making it a perfect fit for contemporary interiors. Beyond its aesthetic appeal, the lamp’s true significance lies in its creation process, as it is assembled by young refugees, local students, and community members through a unique three-month program hosted at Vienna’s TBA21 art foundation. This initiative combines craftsmanship with educational workshops on art, citizenship, solidarity, and empowerment, aiming to support refugees’ integration and welcome them into the city. Eliasson envisions Green Light as a symbol of hope and responsibility amid the refugee crisis, shining a compassionate beacon both for newcomers and the residents of Vienna.

Danny Lyon, one of the most original and influential documentary photographers since the 1960s, is renowned for immersing himself in the lives of society’s outsiders, activists, and underdogs. Pioneering what became known as ‘The New Journalism,’ Lyon lived alongside his subjects for extended periods, capturing intimate and powerful images. Among his iconic work is a series from 1963 in Uptown Chicago’s impoverished ‘Hillbilly Heaven,’ where with a borrowed Rolleiflex camera, he documented the daily lives of families on Clifton Street. Two striking silver gelatin prints from this period, Inside Kathy’s Apartment and Three Young Men, showcase Lyon’s ability to reveal profound humanity in his subjects. These signed and numbered editions, printed in 2009, highlight Lyon’s enduring legacy, celebrated by major institutions like the Whitney Museum and the Art Institute of Chicago.

Photographer Robert Mapplethorpe and writer Jack Fritscher shared a complex understanding of good and evil shaped by their Catholic upbringing and the repressive attitudes toward homosexuality of their era. Mapplethorpe's work boldly juxtaposed pristine beauty with provocative eroticism, while Fritscher championed marginalized queer cultures through publishing. Celebrating the freedom of the 1970s before the shadow of AIDS fell, Fritscher reflects on their passionate times and Mapplethorpe’s urgency to create a lasting legacy as illness encroached. Particularly striking were Mapplethorpe’s floral photographs, which Fritscher describes as embodying the artist’s dual fascination with beauty and darkness—fragile yet intensely alive, revealing the “devil in us all.” This intimate recollection honors Mapplethorpe’s enduring influence as his once-taboo images gain revered status in the art world.

Annabelle Selldorf’s architectural approach defies the flashiness often praised in modern design, instead embracing subtlety and dignity that honor the long-term human experience of space. Known for her transformative yet understated work, Selldorf recently unveiled the Hauser Wirth & Schimmel art complex in Los Angeles, a project that blends galleries, a bookshop, a public garden, murals, and a restaurant within historic buildings. Far from conventional architectural statements, her design focuses on urban integration, opening formerly closed-off spaces with courtyards and walkways that invite the public in. With a deep sensitivity to how people engage with art and space, Selldorf crafts environments that celebrate artwork without distraction, creating timeless spaces that prioritize experience and spirit over spectacle.

The new documentary "Robert Mapplethorpe: Look at the Pictures" revisits the life and art of the iconic photographer, whose work once ignited fierce controversy thanks to opposition from right-wing senator Jesse Helms. Opening with Helms’ challenge to “look at the pictures” when debating if Mapplethorpe’s edgy photography was art or pornography, the film strikingly underlines the artist’s desire to have his work judged on its own merits—from delicate floral studies to bold S&M imagery. Featuring heartfelt interviews with Mapplethorpe’s family and friends alongside archival footage, the documentary paints a vivid portrait of his journey from a suburban childhood to Manhattan success. Premiering on HBO and coinciding with a major retrospective in Los Angeles, this film offers a compelling reevaluation of a photographer whose legacy continues to provoke and inspire.

The rich symbolism of flowers, from poppies commemorating war to red roses embodying intense emotions, is poignantly captured in the work of Robert Mapplethorpe, whose floral photographs reveal layers of meaning and personal reflection. Shortly before his untimely death at 42, Mapplethorpe shared a striking black-and-white image of tulips in a vase—a powerful and intimate farewell to loved ones, symbolizing his acceptance of mortality and the love he felt. This touching tribute highlights the profound emotional depth in Mapplethorpe’s floral studies, inviting us to see beyond beauty to themes of life, love, and loss. To fully appreciate this evocative collection, one can explore the exquisite reproductions in *Mapplethorpe Flora: The Complete Flowers*.

Selldorf Architects, founded by German-born Annabelle Selldorf, has become synonymous with elegant restraint and impeccable taste in architectural design, especially within the art world. Known for iconic projects like New York’s Neue Galerie and the Sims Municipal Recycling facility in Brooklyn, the firm masterfully balances classical form with contemporary functionality, creating spaces that enhance rather than overshadow the art they house. Celebrated for her discerning eye and refined methodology rooted in Viennese architectural tradition, Selldorf’s work invites viewers to experience architecture as a deeply personal encounter, making her a distinctive force in contemporary design and a true guardian of artistic integrity.

Nan Goldin’s photography transcends mere visuals to capture the raw emotions and intimate relationships of her close circle, chronicling decades of friendship, love, and identity. Celebrated worldwide and held in major museum collections, her work reveals a vibrant, evolving “secret family” with images that both preserve and honor the lives of her subjects. Now, three limited-edition Cibachrome prints—featuring iconic moments like Guido floating in Sicily and Valérie in a Paris taxi—are available for collectors, each signed, numbered, and accompanied by Goldin’s book The Devil’s Playground. These rare prints offer a powerful glimpse into Goldin’s tender, unapologetic view of human connection.

Martin Parr’s new London exhibition, Strange and Familiar, offers a captivating and unconventional perspective on Britain through the eyes of 23 international photographers. Spanning decades and diverse styles, the collection features evocative works from the 1930s to the present, including Edith Tudor-Hart’s gritty East End images, Henri Cartier-Bresson’s coronation crowds, and contemporary shots by Hans Eijkelboom. Highlighted by striking compositions such as Tina Barney’s intimate domestic scene, the exhibition challenges traditional British photographic narratives, creating a sense of both familiarity and estrangement. Opening at the Barbican in March, Strange and Familiar invites viewers to see Britain anew through a rich tapestry of foreign perspectives.

Celebrate National Toast Day with a hearty, quintessentially British recipe from the new book *Toast*. This flavorful beef mince on toast, contributed by renowned London restaurateur Fergus Henderson, transforms simple ingredients like ground chuck, onions, leeks, carrots, and rich red wine into a savory, slow-cooked dish perfect for lunch or dinner. Served on thick slices of buttered and broiled Pullman loaf, the recipe promises comfort and depth, capturing the essence of classic British cooking. Whether you're looking to elevate your toast game or indulge in a fulfilling meaty meal, this recipe offers an irresistible tribute to a beloved staple.

In an age where everyone can craft their own maps using GPS and abundant data, renowned graphic designer Paula Scher brings a unique artistic spin to cartography with her expressive, hand-painted maps of the United States. Opening soon at Bryce Wolkowitz Gallery in Manhattan, Scher’s large-scale acrylic works blend population, climate, and transportation data into vibrant, abstract-expressionist compositions that evoke moods rather than precision. Rooted in a family legacy of mapmaking yet deliberately non-scientific, her “abstract-expressionist information” style offers an emotional and creative glimpse into US geography, transforming data into compelling visual storytelling rather than navigational tools.

Mario Bellini’s 1972 Kar-A-Sutra was a daring and playful reimagining of the people carrier, designed as a mobile living room with a cheeky twist, complete with risqué illustrations and a whimsical mime-filled photo shoot. Though never produced, British artist Anthea Hamilton is reviving this provocative concept at this year’s Frieze art fair in New York, bringing the car—and its resident mimes demonstrating creative uses—to life once more. Hamilton’s project continues her tradition of resurrecting lost Italian designs, following her recent reinterpretation of Gaetano Pesce’s unrealized doorway arch. Alongside Hamilton’s homage, Frieze promises an array of vibrant and quirky installations from international artists, including giant inflatables, multimedia sculptures, mirror-wearing performers, and even a professional pickpocket discreetly delivering tiny sculptures to unsuspecting visitors—a lively celebration of art’s playful spirit.

In a captivating interview with Artnet, renowned designer and architect Peter Marino discusses his role curating the new Robert Mapplethorpe exhibition in Paris, celebrating the iconic photographer’s work from 1978-81. Marino draws a fascinating parallel between their crafts, highlighting how Mapplethorpe’s deeply personal and obsessive subjects—flowers, nudes, and the New York sex scene—reflect his soul beyond commissioned portraits. The show, organized around the themes of sex (X), flowers (Y), and nudes (Z), features rare Polaroids and startling floral images that evoke tension and sensuality, with Marino likening one tulip photo to Michelangelo’s Sistine Chapel. This thoughtful curation honors Mapplethorpe’s legacy while inviting viewers into an intellectual and emotional exploration of his artistry.

Noma Australia, the 10-week pop-up by René Redzepi in Sydney’s Barangaroo, showcases an extraordinary fusion of local ingredients and innovative culinary artistry. Inspired by Australia’s rich biodiversity and coastal flavors, the menu highlights inventive dishes like native berries in seaweed broth, wattleseed porridge wrapped in saltbush leaves, and snow crab paired with egg yolk cured in fermented kangaroo. Fans of classic Aussie favorites will find creative twists on barbecued delights, abalone schnitzel with sea lettuce, and even a sophisticated version of the beloved Lamington cake. The experience blends traditional native flavors with Noma’s signature avant-garde style, delivering a unique taste of Australia that’s both familiar and thrillingly new.

Olafur Eliasson has been honored with a Crystal Award for his outstanding dedication to improving the world, recognized alongside figures like Leonardo DiCaprio and will.i.am. Celebrated for monumental works such as The New York City Waterfalls and Ice Watch, Eliasson also co-leads Little Sun, a social venture providing sustainable light to off-grid communities. The award, part of the World Economic Forum’s tradition, acknowledges artists who drive social change through their creativity. Eliasson emphasizes art’s power to unite diverse perspectives and foster global empathy, while the Schwab Foundation highlights his transformative impact on urban spaces. Alongside this, a new book, *Studio Olafur Eliasson The Kitchen*, reveals the creative spirit behind his Berlin studio’s daily vegetarian meals, fostering community and inspiration among artists and collaborators.

The new exhibition "Creation from Catastrophe" at the Royal Institute of British Architects in London explores how architecture has historically responded to disasters, from the Great Fire of London in 1666 to recent climate-related events like Hurricane Sandy and Nigeria’s floods. Featuring works from renowned architects such as Shigeru Ban, Alejandro Aravena, and Arata Isozaki, the show highlights innovative approaches to rebuilding and resilience, including community-driven projects like Yasmeen Lari’s earthquake-resistant Women’s Centre in Pakistan. Reflecting on nature’s destructive power, the exhibit reveals how catastrophe often creates opportunities for visionary designs that tackle the challenges of a changing world.

Renowned pastry chef Albert Adrià, famed for his innovative work at elBulli, is set to bring a unique culinary experience to London with a 50-day residency at Café Royal’s Oscar Wilde Bar and Domino restaurant. From February to April 2016, Adrià will serve his creative take on traditional British Cornish pasties paired with absinthe, alongside an inventive menu featuring dishes like tartare with edible corn spoons. While not personally cooking, Adrià promises a memorable blend of cocktails and avant-garde dining that reflects his pioneering approach to gastronomy, marking his first major venture under his own name outside Barcelona.

Op Art, with its mesmerizing optical illusions and vibrant interplay of shapes and colors, captured the imagination of the 1960s, influencing not only the art world but fashion, music, and design. Coined by Time magazine in 1964, Op Art alongside Kinetic Art—known for its moving sculptures—engaged a broad audience eager for dynamic, accessible experiences that blurred the lines between high and low culture. Now celebrated in Eye Attack: Op Art and Kinetic Art 1950-1970 at Denmark’s Louisiana Museum of Modern Art, this exhibition reunites around 100 works by iconic artists like Victor Vasarely, Bridget Riley, and Julio Le Parc, highlighting these mid-century movements’ enduring ability to dazzle and democratize art in a world grappling with rapid cultural change.

In 1976, renowned photographer Joel Meyerowitz embraced the challenge of an old-fashioned 8x10 Deardorff view camera, trading his familiar 35mm street camera for a slower, more deliberate approach during a summer on Cape Cod. The resulting series, Cape Light, captures the serene, luminous beauty of the Massachusetts coastline with exquisite detail and a fresh perspective on time and light, revealing everyday scenes transformed by delicate textures and subtle reflections. Despite the camera’s cumbersome nature and upside-down framing, Meyerowitz found inspiration in the work of early large-format photographers like Eugène Atget, discovering a new depth in his art that contrasted sharply with his urban street photography. Nearly forty years later, these evocative images continue to resonate, showcasing the quiet magic of slowing down and truly seeing the world anew.

Richard Sapper, a visionary German industrial designer renowned for blending formal simplicity, technical expertise, and poetic humor, passed away on New Year’s Eve. Throughout his prolific career, Sapper created an extraordinary range of products—from kitchen appliances and furniture to cars and bicycles—earning numerous international awards and securing his place in prestigious museums worldwide. Based mainly in Milan, he collaborated with legends like Marco Zanuso and contributed iconic designs such as the Alessi stovetop espresso maker, the innovative Tizio lamp, and IBM’s groundbreaking ThinkPad. His influence extended beyond design into teaching at esteemed institutions globally. This June, Phaidon celebrates his remarkable legacy with a comprehensive monograph featuring rare archival images and candid interviews that illuminate the inspirations and stories behind his enduring work.

Cindy Sherman's Headshot series from 2000 offers a poignant and complex exploration of aging actresses caught in society’s ruthless obsession with youth and glamour. Unlike her earlier Untitled Film Stills, which celebrated classic Hollywood heroines, these images portray women who are older, struggling to maintain a youthful facade through layers of makeup and costume in a desperate bid for recognition. Far from mere caricature, Sherman—both photographer and model—embodies these roles with a nuanced critique of appearance, identity, and societal pressures, highlighting the bittersweet tension between aspiration and reality in the pursuit of enduring fame.

Francesca Woodman’s poignant 102-image retrospective, On Being an Angel, currently showing at Moderna Museet in Stockholm and soon at Amsterdam’s Foam gallery, captures a haunting exploration of body, gender, and identity that remains strikingly relevant today. Despite her tragic early death at 22, Woodman’s black-and-white self-portraits, often set in dilapidated interiors, reveal a dark, gothic aesthetic infused with surreal and classical elements. Curators highlight her unique voice and enduring influence on contemporary photographers who similarly use their bodies to interrogate gender and visibility. More than mere snapshots, these images are profound meditations on the gaze, presence, and self, continuing to resonate and inspire decades after their creation.

JR’s Women Are Heroes project in Kenya’s Kibera neighborhood celebrated the vital role of local women by adorning rooftops with large photographic banners, doubling as waterproofing for their homes. Recently, US agency Deutsch launched “Art Heist for Good,” removing these banners—sometimes without full local consent—to auction them internationally and fund sanitation projects through the charity Water Is Life. While the initiative aims to improve conditions, it raises complex questions about the ethics of repurposing public art installed on people’s homes without the artist’s involvement. Despite this, the project highlights how art can unexpectedly impact communities, aligning with JR’s vision of art as an ongoing process that can truly change the world.

Celebrated across Mexico during the Day of the Dead festivities, Pan de Muerto is a sweet, fragrant bread baked to honor loved ones who have passed. This traditional treat, infused with orange zest and blossom water, is beautifully shaped and glazed to symbolize the cycle of life and death. The recipe, shared from Margarita Carrillo Arronte’s acclaimed Mexico: The Cookbook, guides you through the process of creating this tender, buttery loaf—a heartwarming way to experience the rich flavors and cultural heritage of Mexico’s iconic celebration.

Up until the early 1960s, laws in the US criminalized homosexual male sex and censored nude imagery, but a cultural shift soon began that intertwined the rise of gay rights with photography's emergence as a respected art form. Philip Gefter, a noted photography critic and former New York Times editor, credits pioneers like Robert Mapplethorpe with transforming the public perception of the male nude, helping to normalize its presence in galleries and advertising alike. Although male nudes were photographed long before, Mapplethorpe and his contemporaries challenged social taboos by bringing explicit images into the mainstream art world, gradually desensitizing audiences and influencing later media. Gefter argues that while progress has been significant, acceptance of the male body in its full reality remains incomplete, reflecting an ongoing evolution in how we discuss sexuality and art.

New York photographer Tina Barney, celebrated for her vivid portraits of affluent family and friends, reveals a lesser-known chapter of her work in a rare series of nude portraits from the early 1990s. Diverging from her signature staged scenes, these intimate yet clinical images focus on form, light, and texture rather than identity or emotion, capturing the human body in a way akin to still life. Barney’s exploration emerged from a desire to move beyond the stiffness of her usual subjects, embracing anonymous models photographed in personal spaces. Her nuanced perspective on skin, hands, and composition underscores a profound fascination with the human figure itself. The article also highlights Barney’s admiration for other artists like Rineke Dijkstra, whose emotive, unidealized portraits challenge conventional narratives of motherhood and identity, probing deeper sociological themes. Through these reflections and anecdotes, including the iconic yet modestly regarded fashion shoot, the piece invites readers to reconsider the intersections of identity, form, and art in photography.

In an era where online recipes are abundant, traditional cookbooks are evolving to meet the sophisticated tastes of today’s home cooks, who seek not just instructions but stories and cultural insights behind the dishes. Kim Severson of The New York Times highlights how print titles are transforming, featuring chefs who are also gifted writers and photographers, like Magnus Nilsson with his comprehensive Nordic Cookbook. These chefs bring depth and narrative to their work, engaging readers with more than just recipes. The modern culinary book blends rich storytelling, cultural exploration, and expert techniques, appealing to food enthusiasts eager to deepen their understanding and appreciation of cuisine beyond the kitchen.

The way the human body is portrayed in art has evolved dramatically over time, shaped by shifting cultural, political, and social currents. Bill Arning, veteran curator and Executive Director at Contemporary Arts Museum Houston, highlights how contemporary perspectives on feminism, race, and sexuality have transformed portraiture, contrasting it with earlier periods like the Weimar Republic’s “New Objectivity.” Arning illustrates this shift through examples such as Peter Hujar’s provocative 1970s photographs and the changing acceptance of queer identities today. He also observes that modern societal obsession with physical perfection has fostered a renewed artistic fascination with bodily flaws and imperfections, celebrating the “fleshy and smelly joys” of human vulnerability. Through a cross-cultural and historical lens, Arning praises the book *Body of Art* for illuminating this vibrant continuum and deepening our understanding of the body’s role in art throughout history.

Gabriele Corcos, co-host of Extra Virgin, celebrates the heart and heritage of Italian cooking through his passion for red sauce—an emblem of family tradition and nostalgia. Drawing from his Tuscan roots and cherished memories with his grandmother, Gabriele shares how red sauce is more than just a recipe; it’s a soulful connection to one’s origins, a rite of passage, and a beloved staple in every Italian kitchen. Kicking off a special series honoring The Silver Spoon’s 10th anniversary, Gabriele offers his personal Amatriciana recipe, a beloved classic perfected over years of cooking for family. With vivid stories of homegrown produce, cellar preparations, and the joy of sharing food, he invites readers to savor authentic Italian flavors and join in a celebratory sweepstake for a chance to win an incredible Silver Spoon culinary library and shopping spree.

Steven Holl, a celebrated architect known for his innovative museums, chapels, and university buildings, offers a critical perspective on the current wave of skyscrapers transforming New York City. While he admires the ambitious architecture of the early 20th century, exemplified by icons like the Empire State Building and Chrysler Building, he sees today’s developments as lacking true architectural value, dismissing many new towers as mere “rent-collecting space” detached from meaningful public engagement. Holl values the social fabric and human scale of neighborhoods like his West Village home, where everyday interactions and shared spaces create a vibrant community. For him, architecture should enrich social experiences, not just create luxurious, isolated residences used as financial assets. Stay tuned for more insights from Holl on how to reintegrate these qualities into contemporary urban design.

Daniel Ost, arguably the world’s most successful floral artist, has defied early prejudices about his craft to create breathtaking installations worldwide. Though once stereotyped and even sent to military school by his father to “cure” him, Ost credits much of his precision and discipline to that regimental experience. From orchestrating massive floral displays at royal weddings in Belgium to monumental art at Japan’s Izumo temple, his work demands exacting mastery over fleeting beauty. Ost views floral design as a battle against time, requiring unwavering will and meticulous skill—a philosophy vividly reflected in his stunning creations and celebrated in the new book, *Daniel Ost: Floral Art and the Beauty of Impermanence*.

Eleanor Macnair’s exhibition at London's Atlas Gallery presents a playful and inventive reinterpretation of iconic and lesser-known photographs by contemporary artists, recreated entirely in Play-Doh. Beginning as a whim from a photographic pub quiz challenge in 2013, Macnair painstakingly sculpts each image using simple tools before capturing them in photographs, then reusing the Play-Doh for future creations. This whimsical project highlights the beauty of form and color while celebrating photography’s diversity, featuring works inspired by legends like Nan Goldin, Daido Moriyama, and Diane Arbus. The exhibition invites viewers to rediscover familiar images transformed by unexpected textures and a touch of the artist’s fingerprint, blending homage with post-modern creativity.

Danish-Icelandic artist Olafur Eliasson, known for exploring sunlight through works like the Weather Project and solar-powered lamps, created the 2005 Daylight Map to visualize the passage of sunlight around the globe. Using twenty-four neon tubes to represent time zones, Eliasson’s map intriguingly reveals that these divisions are not perfectly parallel but distorted by political borders. The illuminated tubes change in real time, highlighting regions experiencing daylight while underscoring the persistent presence of artificial light worldwide. This dynamic piece, reflecting Eliasson’s environmental and ecological concerns, offers a captivating perspective on the intersection of natural phenomena and human influence.

Since its launch in 2005, Fantastic Man has reshaped men's fashion media with its intelligent profiles and sincere style, moving away from trendy, youthful images to celebrate thoughtful masculinity. Founders Gert Jonkers and Jop van Bennekom, inspired by their earlier work with the queer quarterly BUTT, crafted a magazine that embraces wit, vulnerability, and mid-century design influences, attracting iconic figures like Rupert Everett and Tom Ford. Over a decade, their innovative approach not only influenced fashion publications worldwide but also impacted how men, especially within the gay community, see themselves—making Fantastic Man a beacon of style and substance celebrated in a new anthology marking its tenth anniversary.

Pavement café tables were scattered and pigeons took flight as a huge crowd of media and well-wishers joined artists Ai Weiwei and Anish Kapoor on a spirited walk through London. From the Royal Academy on Piccadilly to Stratford in East London, the pair boldly defied traffic signals and gathered attention, draped in blankets symbolizing solidarity with the world’s estimated 60 million refugees. Inviting the public and press to bring their own blankets, the artists captured the moment on their iPhones, amplifying a powerful message of empathy and awareness. This striking demonstration is set to travel to major cities worldwide, uniting art and activism in a moving global statement.

The new Serif TV by Ronan and Erwan Bouroullec for Samsung reimagines the television as a piece of furniture rather than just another sleek electronic device. Inspired by the decorative strokes of serif fonts, the design features a distinctive I-beam silhouette that allows the TV to stand independently on surfaces and even serve as a shelf. Clever touches include a magnetic textile panel to hide cables and detachable four-legged stands, blending functionality with style. Beyond its physical form, the Bouroullecs also crafted an intuitive user interface, featuring a virtual “curtain” that lets viewers obscure ads with a single remote click. Set to launch at London’s Design Festival, the Serif TV showcases how thoughtful design can transform tech into an everyday object that’s both beautiful and practical.

Japanese houses often appear peculiar to Westerners due to their unique designs, small sizes, and the common practice of demolishing and rebuilding after only a few years—a tradition rooted in historical customs of replacing worn building parts. Architect Naomi Pollock, fascinated by these distinctions, explored Japan’s domestic architecture extensively, uncovering a creative spectrum that ranges from modernist minimalism to homes resembling abstract sculptures. Influenced by Japan’s Sunshine Laws, which limit building shadows, and a cultural preference for intimate family spaces, these homes often feature unusual angles and cozy layouts that encourage connection through sound and presence rather than visibility. Pollock’s insights, captured in her upcoming 512-page book *Jutaku: Japanese Houses*, highlight not only the architectural ingenuity but also the subtle social values embedded within Japan’s housing traditions, such as the stunning Window House designed to maintain open views even when unoccupied—an openness rarely found in Western architecture.

Grace Coddington’s highly anticipated book, "Grace: Thirty Years of Fashion at Vogue," celebrates the legendary stylist’s incredible contributions to fashion with a stunning collection of iconic images shot by top photographers like Bruce Weber and Peter Lindbergh. In a candid interview, Grace reveals how Weber introduced her to American art and culture, discusses the importance of personal communication in collaboration despite the modern challenges of reaching photographers, and shares her nostalgic love for printed magazines amidst the digital age. She also opens up about her personal style, favoring simple, timeless pieces and even recounts the delightful story behind wearing satin pajamas to the Met Ball. This intimate glimpse into Grace’s journey highlights her passion, creativity, and enduring influence on fashion.

At just 39, Enrique Olvera has transformed Mexican cuisine with a visionary approach that blends traditional flavors with a refined, almost Japanese aesthetic, earning him the prestigious Diners Club Lifetime Achievement Award from the 50 Best Restaurant list. Celebrated by culinary icon Ferran Adrià for redefining Mexican food, Olvera’s innovative reinventions—from elevating classic mole to introducing fresh techniques and new creations—have won global acclaim. His acclaimed restaurants like Pujol in Mexico City and Cosme in New York showcase his mastery, making him a standout figure in Latin American gastronomy. For those eager to explore his culinary brilliance further, Olvera’s debut book, *Mexico From The Inside Out*, offers an intimate look at his craft, alongside other esteemed Latin American chef cookbooks and dining guides.

French artist JR uses his striking black-and-white street portraits to shine a light on marginalized communities worldwide, from Parisian suburbs to favelas in Rio and neighborhoods in Nairobi and New York. More than just images, his work fosters trust and social connection, turning fleeting installations into lasting social dialogues. His new monograph captures the breadth of his projects, illustrating how art can break down barriers and inspire change. JR sees the creation process—and the community engagement it sparks—as the true essence of his art, proving that when he asks, "Can art change the world?" the answer is an inspiring yes.

"JR: Can Art Change The World?" is a striking monograph that delves into the work of the enigmatic Parisian artist JR, who transforms urban spaces by showcasing the faces of ordinary people, often those overlooked or marginalized. Central to his mission is the project Women Are Heroes, where JR highlights the strength and dignity of women living in conflict zones, many of whom face severe injustices. Through powerful black-and-white portraits pasted in their communities, these women tell stories of resilience, hope, and defiance, capturing moments of raw humanity. The book offers a profound reflection on visibility, identity, and social change, inviting readers to reconsider the power of art in giving voice to the invisible.

Grace Coddington’s iconic career is celebrated in the upcoming reissue of her photographic monograph, *Grace: Thirty Years of Fashion at Vogue*, which gathers some of the most stunning fashion images ever captured by legendary photographers. In an insightful interview, Grace reflects on how the documentary *The September Issue* transformed her into a household name, the contrasts between American and European work cultures, and her signature style of storytelling through both extravagant and minimalist fashion shoots. She recounts her striking experiences shooting in 1970s China, her transition from London to New York, and emphasizes the importance of authenticity in fashion imagery, where even the wildest looks must retain a sense of reality. Grace’s unique blend of practicality and fantasy continues to influence the fashion world profoundly.

Theaster Gates is a multifaceted artist whose work spans ceramics, performance, and social engagement, deeply rooted in the fight for racial equality. His 2007 exhibition, Plate Convergences, brilliantly blended art and storytelling, featuring a performance where Gates served Southern soul food alongside Japanese sushi on plates he crafted from Mississippi clay. The story he wove about a Japanese ceramicist who bridged cultures was ultimately revealed as a fabrication, highlighting Gates’ intention to challenge perceptions of art and reality through creative deception. This compelling blend of cultural commentary and artistic innovation makes Gates a fascinating figure whose work continues to provoke thought and inspire dialogue.

Map: Exploring The World is a captivating journey through cartography that delights both enthusiasts and casual readers alike, blending fascinating insights with irony, humor, and even chilling moments. Among its highlights is James Gillray’s 1793 satirical map, The French Invasion, which portrays King George III in a defiant, patriotic stance—literally repelling French invasion boats in a crude, xenophobic cartoon designed to boost British morale during revolutionary turmoil. In stark contrast, the Soviet 1941 propaganda piece Death To Fascism dramatically depicts the Red Army’s fierce resistance against the Nazi threat, capturing the terror and resolve of wartime. This enthralling collection of maps offers a rich, multifaceted perspective on history, politics, and art.

Liz Diller, co-founder of the visionary firm Diller Scofidio + Renfro, originally dreamed of making films but found her true calling in transforming urban spaces, most famously through the creation of New York's High Line. What began as a speculative academic exercise on repurposing an elevated freight railway evolved into a groundbreaking public park that redefined how cities reclaim and cherish forgotten infrastructure. The High Line's unique charm lies in its serene simplicity—inviting millions to walk and sit amid nature reclaiming industrial ruins, offering a rare pause in the city's relentless pace. Over a decade since its inception, Diller and her collaborators continue to refine the park, capturing the inspiration and challenges behind this urban marvel in a forthcoming book that reflects on its success and unfinished chapters.

Chef Massimo Bottura recently visited the White House, fostering a unique collaboration between culinary innovation and food policy. Known for transforming perfectly healthy food waste into nourishing meals for those in need at his Refectory Ambrosiano pop-up, Bottura shared his vision with First Lady Michelle Obama and her senior nutrition advisor, Sam Kass. Kass, instrumental in creating the White House vegetable garden, engaged with Bottura on sustainable food practices, highlighting how chefs can play a role in addressing global nutritional challenges. While some may question the influence of chefs on social change, Bottura’s visit underscores the potential for culinary leaders to inspire broader conversations around food sustainability and policy.

Following the 2012 Olympics, London saw a surge in cycling, but few would recognize the type of bike in Ai Weiwei’s striking sculpture, Forever. On display from 3–14 September near the iconic Gherkin, the piece is a cluster of steel bicycles once ubiquitous in China, made by the Forever company since 1940. Once a symbol of everyday Chinese workers, these bikes now evoke a bygone era as China’s society has shifted towards motor vehicles. Ai Weiwei created his first Forever sculpture in 2003, drawing inspiration from Marcel Duchamp’s Bicycle Wheel and exploring themes of collective power, harmony, and the tension between individuality and conformity. Installed amid London’s financial district as part of Sculpture in the City, the work intriguingly contrasts the collaborative unity of the bikes with the modern pulse of the city’s banking hub, inviting viewers to reflect on community and identity.

Zaha Hadid Architects has unveiled their groundbreaking design for the Danjiang Bridge, set to become the world’s largest asymmetric cable-stayed bridge with a single 175-meter-tall concrete mast. Spanning 920 meters across Taiwan’s Tamsui River near Taipei, the bridge aims to ease traffic congestion while preserving stunning sunset views by minimizing visual and navigational disruption. This innovative structure will relieve pressure on the existing Guandu Bridge, enhancing regional accessibility and showcasing cutting-edge engineering and design. With a $250 million budget, the project promises to be a landmark addition to Taiwan’s infrastructure, blending functionality with iconic architectural elegance.

In 1972, Italian designer Mario Bellini boldly predicted the automobile's decline, criticizing its impact on cities and the environment while urging a rethinking of its purpose. His visionary concept, the Kar-A-Sutra, presented at MoMA's exhibition Italy: The New Domestic Landscape, reimagined the car as a spacious, light-filled living space rather than a mere vehicle. Featuring large windows, a hydraulic roof, and plush seating designed for relaxation, the Kar-A-Sutra prioritized passenger comfort and environmental concerns long before “people carriers” became common. Bellini’s innovative approach invites us to reconsider how everyday objects like the automobile can better serve human and ecological needs.

Martin Parr, the renowned British photographer and president of Magnum Photos, has spent decades creating a captivating series of self-portraits taken in small photographic studios around the world. These images not only highlight the persistent charm of studio photography but also showcase an array of styles and playful reinventions of Parr's own persona—from retouched teenager to astronaut, Victorian gentleman to Jeffery Archer doppelganger. Celebrating the vibrant, oft-overlooked vernacular of high street portraiture, Parr’s work underscores the creativity and freedom found outside polished journalistic or art photography. His latest gallery offers both new and previously unseen shots, revealing how his photographic identity has evolved with humor and flair over the years.

Ai Weiwei has embraced his newfound freedom after receiving a German visa, arriving in Munich for medical check-ups related to past injuries before heading to Berlin to discuss a visiting professorship at the University of the Arts. Welcomed warmly by the city’s mayor and artistic community, Ai has reconnected with fellow dissidents and artists, including Pussy Riot’s Nadia Tolokonnikova and actor Daniel Brühl, in gatherings organized by Cinema for Peace. He’s also spent time with Berlin-based artist Olafur Eliasson, Pulitzer-winning journalist Ian Johnson, and enjoyed Patti Smith performing her iconic album Horses. With his young son living in Berlin and plans to exhibit alongside his admired Andy Warhol in Melbourne, Ai reflects on the possibilities ahead with a mix of curiosity and determination, eager to communicate more freely through his art.

Over a decade ago, Dutch designer Jop van Bennekom and editor Gert Jonkers challenged the stale, exclusive world of men's magazines by creating Fantastic Man, a publication celebrating real men in real clothes with a sophisticated yet approachable style. This groundbreaking magazine, admired for its candid photography and insightful profiles, has now been immortalized in the book *Fantastic Man: Men of Great Style and Substance*, marking its tenth anniversary. The beautifully crafted volume features 69 of the magazine’s best interviews and photo shoots, showcasing renowned figures like Rupert Everett, Christoph Waltz, Tom Ford, and Spike Jonze. Rich with engaging stories—from Thom Browne’s jeans dilemma to Ai Weiwei’s daily routine—the book is a stylish, inclusive celebration of men’s fashion and personality, designed to delight fashion insiders and thoughtful readers alike.

Daniel Ost, renowned Belgian artist and floral visionary, transcends traditional flower arranging to create extraordinary botanical art that captivates global admirers—from fashion icons like Dries Van Noten to esteemed architects and royalty. His work, inspired by diverse cultures and natural materials, bridges disciplines and defies categorization, blending the impermanence of flowers with architectural and artistic principles drawn from European and Japanese traditions. Ost’s groundbreaking installations and elegant compositions, showcased in prestigious venues worldwide, redefine floral artistry as a profound creative expression—a journey vividly chronicled in a striking new 440-page monograph celebrating his innovative career and timeless impact.

The Grand Gelinaz! Shuffle brings together 37 of the world’s top chefs to swap kitchens and create unique dining experiences for just one night, and tonight is the big event. Renowned chefs like René Redzepi, Massimo Bottura, Magnus Nilsson, and Alex Atala are cooking surprise menus in famous restaurants worldwide, from Bangkok to Melbourne to New York. Diners won’t know who is in the kitchen until the meal begins, adding to the excitement and mystery. Highlights include Redzepi’s inventive dishes at Nahm in Thailand and Mehmet Gürs’s local crayfish feast in Adelaide. This extraordinary culinary collaboration celebrates creativity, exploration, and the shared joy of food across global dining hotspots.

Phaidon’s newly updated edition of Ginette Mathiot’s classic 1948 book, *Preserving*, revives timeless food preservation techniques with a fresh, modern twist. Celebrated for teaching generations of French cooks, Mathiot’s guide goes beyond pickling and jam-making to include smoking, salting, drying, and dairy preservation, offering recipes from duck confit to sauerkraut. Enhanced by contemporary insights from food writer Clotilde Dusoulier and beautifully illustrated by Swiss agency CCRZ, this 366-page volume blends vintage culinary wisdom with sleek 21st-century design, making it both a charming historical document and an essential kitchen resource for today’s adventurous cooks.

Olafur Eliasson, renowned for iconic works like The Weather Project and New York City Waterfalls, shares his insights on art education and the challenges young artists face today. He critiques the art world's conservatism and commodification, which stifles experimentation and encourages a narrow definition of success from the start of art school. Eliasson emphasizes the importance of physical experience and risk-taking in art, advocating for creative exploration beyond purely intellectual engagement. Through exercises that shift perception, like walking backwards or making spontaneous books, he encourages artists to rethink how they experience and shape reality. Drawing from his teaching at the Institut für Raumexperimente and his work in global contexts like Addis Ababa, Eliasson redefines the role of educator as a collaborative co-producer rather than a hierarchical authority, championing creativity as a force that actively produces reality.

Massimo Bottura’s Osteria Francescana climbed to number two in the prestigious 50 Best Awards, just behind El Celler de Can Roca, with René Redzepi’s Noma at number three. Enrique Olvera’s Pujol in Mexico City surged four spots to 16, celebrated for reinventing traditional Mexican cuisine, while Virgilio Martinez Veliz’s Central leapt nine places to number four. Newcomer Dan Hunter of Brae in Australia made his debut at number 87 with a farm-to-table ethos, and André Chiang held strong at 46 with his philosophy-driven cuisine. Other highlights include Magnus Nilsson rising to 25, Ben Shewry at 32, and Hélène Darroze winning World’s Best Female Chef. With tributes to creative culinary pioneers and upcoming Phaidon books featuring these stars, the list showcases chefs pushing gastronomy’s boundaries across the globe.

This season’s major post-war and contemporary art auctions feature remarkable works with fascinating backstories, including Peter Doig’s 1990 painting Swamped, highlighted ahead of Christie’s New York sale. Inspired by a subtle scene from the horror film Friday the 13th, Doig’s recurring motif of canoes also nods to 19th-century artist George Caleb Bingham’s haunting Fur Traders Descending the Missouri. Swamped captures a dreamlike, swampy landscape where reflections and textures blur the boundary between paint and reality, evoking a profound sense of immersion and decay. Praised for its complex layering and atmospheric depth, the piece exemplifies Doig’s unique vision—transforming fleeting cinematic moments into richly evocative art that captivates and mystifies.

Cindy Sherman’s Untitled #470, a striking chromogenic print up for auction at Phillips in New York, delves into the complex portrayal of mature society women confronting aging with a mix of poise, status, and underlying neurosis. Expected to fetch between $300,000 and $500,000, this work is part of Sherman’s series exploring the tension between social sophistication and the fragility beneath the surface, revealing the masks these women wear amid the pressures of public achievement. Curator Paul Moorhouse highlights how Sherman’s art captures the intricate, often unsettling strategies of self-presentation, making a powerful statement on vanity, identity, and the universal human plight of aging.

Danny Lyon, a renowned photographer and civil rights activist, reflects on the ongoing crisis of police violence in America, linking it to the country’s dark history of racial injustice. Drawing from his experience documenting civil rights protests, outlaw biker gangs, and prison life, Lyon condemns the alarming rise of police shootings, emphasizing how systemic racism has shifted from civilian populations into law enforcement. Highlighting troubling cases like the killing of Walter Scott and the murder charges against Albuquerque officers, he calls for a national movement led by political, media, and religious leaders to tackle this epidemic before it claims more innocent lives. Lyon warns that unless decisive action is taken, anyone could fall victim to this brutal abuse of power.

The tension between eroticism and censorship in art is far from new, as vividly illustrated by the Vienna Secessionists featured in Peter Vergo’s *Art In Vienna 1898-1918*. Artists like Gustav Klimt and Egon Schiele challenged conservative norms by boldly exploring sexuality in their work, drawing both admiration and harsh criticism for what some deemed “pornographic.” Klimt’s Medicine, with its unapologetically nude female figure, sparked outrage, while Schiele’s raw depictions of the human form stirred controversy alike. Yet, both artists saw their art as a profound exploration of humanity, confronting social taboos rather than pandering to titillation. This glimpse into early 20th-century Vienna reveals a fascinating clash of progressive creativity and prudish resistance, inviting readers to reconsider the boundaries of art and the enduring dialogue between sex and censorship.

The Stephen Petronio dance company’s recent staging of Merce Cunningham’s 1968 avant-garde piece RainForest at the Joyce Theatre brilliantly revives a quintessentially ’60s New York atmosphere, complete with Andy Warhol’s iconic Silver Clouds made from Mylar balloons. Inspired by the Pacific Northwest’s rainforests, this short dance performance features Warhol’s airy, floating Mylar creations, which added both visual intrigue and a playful challenge for the dancers. Warhol’s suggestion to dance naked among the clouds was cleverly adapted with flesh-colored leotards, while the dancers mastered the art of gently pushing the helium-filled balloons to keep them afloat. This inventive and whimsical fusion of art, dance, and technology not only honors the original work’s spirit but also brings a fresh vibrancy to Warhol’s captivating collaboration with Cunningham.

Alvar Aalto once captured the essence of architecture by transforming a humble brick into something invaluable, and William Hall’s new book, *Brick*, echoes that sentiment by celebrating this overlooked yet magnificent material. Inspired not only by Aalto’s philosophy but also by a conversation with chef Ferran Adrià, Hall challenges the traditional hierarchy that undervalues brick compared to stone or marble, showcasing its versatility, warmth, and enduring beauty. Through stunning images and a carefully curated selection of buildings—from massive Bavarian viaducts and ancient ziggurats to iconic urban landmarks and playful sculptural works—*Brick* invites readers to see bricks not as banal building blocks but as elements full of wonder and architectural potential, appreciated for their approachable texture and graceful aging.

Zhang Xiaogang, born in 1958 amidst the upheavals of the Cultural Revolution, has emerged as China’s foremost contemporary painter by intertwining personal memory with the nation's turbulent history through his evocative art. His journey from Socialist Realism to deeply symbolic works reflects influences ranging from Van Gogh’s emotional brushwork to Frida Kahlo’s magical realism and Gerhard Richter’s photographic introspection. Zhang’s landmark series, like Bloodline—Big Family, poignantly captures the collective anxieties and social pressures of his generation, while later pieces explore the shifting landscapes of daily life under socialism with haunting clarity. His art offers a profound meditation on memory, history, and identity, marked by emotional turbulence and the quest to understand a complex era.

Martin Parr’s first photo book, *Bad Weather* (1982), pairs striking black-and-white images of rainy British and Irish locals with a charming essay by longtime BBC weather forecaster Michael Fish, capturing the mood of stormy days through a distinctly British lens. Shot in the 1970s and early 1980s using innovative techniques to combat the wet conditions, these photographs mark the early emergence of Parr’s keen observational style, later celebrated in his vivid color work. Now a collector’s treasure, *Bad Weather* will be showcased in a free retrospective at Geneva’s Espace Jörg Brockmann gallery from February to May, offering a rare chance to experience this iconic series up close—and perhaps rekindle appreciation for both the art and the subtle humor found in Britain’s unpredictable skies.

On the anniversary of Francis Picabia's birth, we explore his transformative experience in early 20th-century New York, where he and Marcel Duchamp became pivotal figures in breaking European artistic conventions. Fleeing war-torn Europe, Picabia found inspiration in American machinery and urban life, leading to his distinctive mechanomorphic artworks—playful, erotic machine compositions that symbolized the energy and sexuality of the modern world. His collaborations with Alfred Stieglitz’s avant-garde circle and contributions to the journal 291 highlight this revolutionary fusion of art and machine culture. Iconic works such as the mechanical portrait of Stieglitz, the symbolic "Voila la Femme," and "Fille née sans mere" reflect Picabia’s innovative mix of technology, sexuality, and industrial metaphors, capturing the restless spirit of New York and the dawn of modern art.

The tragic attack on the Parisian satirical magazine Charlie Hebdo has deeply shaken the artistic and activist community, particularly French-born illustrator Tomi Ungerer. Reflecting on his own experiences with fascism in WWII, Ungerer condemns the violence as a chilling form of blackmail that threatens freedom of expression. Having long championed free speech and social justice, Ungerer feels a personal loss and insists that satire must endure despite terrorism’s attempt to silence it. While wary of the political fallout, he holds onto hope through his work and the universal spirit of liberty, exemplified by his recent reflections on infinity as a boundless refuge of freedom. In solidarity, the Tomi Ungerer Museum plans an exhibition honoring the fallen cartoonists and their courageous stand for democratic values.

René Redzepi continues to push the boundaries of haute cuisine as he prepares to open Noma Japan at the Mandarin Oriental in Tokyo. Captured in an exclusive video from one of Noma’s legendary Saturday Night Projects, René and his team experiment fearlessly, transforming unexpected ingredients like kale into innovative dishes that challenge culinary conventions. This unique creative process acts as a “training camp for intuition,” fostering a collaborative environment where chefs constantly inspire and outdo each other. It’s this relentless drive for reinvention that has earned Noma the title of Best Restaurant in the World four times. Witness the passion and daring behind Redzepi’s groundbreaking approach and explore his journey through the acclaimed book, A Work in Progress.

Joel Meyerowitz continues to push the boundaries of his photography, drawing inspiration from bold leaps like Matisse’s late-career cut-outs and embracing new creative challenges. After relocating to Italy, he’s been reflecting on his journey through a groundbreaking documentary and a major retrospective curated in Germany, both of which have propelled him toward fresh artistic territory. Looking ahead to 2015, Meyerowitz is set to unveil a children’s book on perception, create monumental still-life sculptures for the Milan Expo, and showcase previously unseen work from his time in Franco-era Spain, proving that his restless pursuit of the perfect picture is as vibrant as ever.

The Shimizu Corporation has unveiled an ambitious vision for an eco-friendly underwater city called Ocean Spiral, designed to house 5,000 residents and generate energy from the seabed. Central to this concept is a vast 500-meter-diameter floating sphere below the sea's surface, featuring commercial spaces, housing, and hotels across 75 floors, all supported by desalinated water produced through hydraulic pressure. A spiraling path extends 15 kilometers down to the ocean floor where scientific labs, known as the Earth Factory, will explore seabed energy extraction. Backed by experts from Tokyo University and energy firms, Shimizu foresees the technology becoming viable within 15 years, with a £16 billion construction project to follow. Aimed at addressing Japan’s seismic challenges, Ocean Spiral reflects Shimizu’s track record of bold innovations, including lunar energy projects and offshore wind farms, making this underwater city a tantalizing glimpse into future living.

Pierre-Auguste Renoir, the renowned French painter who passed away on December 3, 1919, masterfully captured the interplay between industry and nature through his Impressionist works painted en plein air. His art reflects not only the quick, expressive brushstrokes of Impressionism but also the naturalistic sensibilities of the Barbizon School, appealing to an urbanizing audience nostalgic for untouched landscapes amid rapid industrial change. Renoir benefited from innovations such as premixed paint tubes, which enabled him to seize candid outdoor moments, portraying scenes from both Paris and its surrounding countryside. His famous piece, *Dance at the Moulin de la Galette*, immortalizes a transformative era in Montmartre, blending the vibrancy of modern life with fading natural beauty, offering a vivid historical snapshot of Parisian culture at a crossroads.

In this haunting 1960s photograph by Austrian artist Günter Brus, we see a visceral performance piece that merges paint, the human body, and raw emotion to confront the dark legacy of recent history. Brus, a pioneer of Vienna Actionism, used his art to channel the horrors of the past, particularly the shadow of the Third Reich, through a violent, self-inflicted spectacle captured by press photographer Ludwig Hoffenreich. This image is more than just a painting or a photograph—it is a powerful, theatrical act of protest and atonement that pushed the boundaries of art and photography, forcing viewers to confront the brutal sins of humanity through a modern lens.

Ghosts and witches may seem like quaint Halloween amusements today, but their roots in art reveal a far darker heritage. EH Gombrich’s *The Story of Art* highlights how Francisco Goya, working amid the upheaval of post-revolutionary Europe, transformed traditional subjects into haunting visions that exposed vanity, cruelty, and oppression. Goya’s court portraits reveal the stark, unforgiving truths beneath regal facades, while his groundbreaking etchings delve into nightmarish apparitions and fantastical monsters, embodying the turmoil of his era. His iconic work *The Giant* epitomizes this shift: a colossal, eerie figure looming over a tiny landscape, evoking deep anxiety and poetic mystery. This willingness to channel personal and political fears onto canvas paved the way for the eerie imagery we now associate with horror, making Goya a pioneering figure in the art of the uncanny.

The second half of PBS’s Mind of a Chef series shines a spotlight on Magnus Nilsson, the visionary chef behind Fäviken, as he teams up with Ed Lee to reveal the true essence of cooking, creativity, and passion in the culinary world. Narrated by Anthony Bourdain, the show offers a rare glimpse into Magnus’s philosophy: control what you can, embrace limitations as a driver for innovation, and never settle for playing it safe in the kitchen. Despite the daily grind and exhaustion of sharing his passion, Magnus shares profound insights on crafting unforgettable dining experiences and the creative process, emphasizing that every dish reflects a sum of one’s life experiences. For fans eager to dive deeper into his world, his acclaimed book Fäviken and the upcoming Nordic Cookbook promise even more inspiration.

Mexican cuisine, rich in diversity and deeply rooted in history, is beautifully unveiled by chef Margarita Carrillo Arronte, who has devoted her life to celebrating its authentic flavors and traditions. From the ancient craft of nixtamalisation that enhances corn’s nutritional value to the regional culinary distinctions shaped by geography and culture, Margarita highlights the vibrant complexity behind dishes like tacos, tamales, and moles. She emphasizes the vital role women have played in preserving these food traditions and showcases how indigenous practices and fusion influences contribute to the distinctive heritage of Mexican cooking. Her comprehensive guide, *Mexico The Cookbook*, offers over 700 recipes that bring the true essence of Mexico’s culinary landscape into home kitchens worldwide.

Yayoi Kusama’s journey from privileged beginnings to becoming the world’s top-selling contemporary female artist is a compelling tale of resilience and creativity. Despite growing up wealthy and advised to marry for security, Kusama bravely moved to New York in 1958, enduring poverty and isolation while pursuing her art. Supported by figures like Georgia O’Keeffe but facing harsh winters and financial struggles due to Japanese foreign exchange restrictions, Kusama’s tenacity led her to establish a vibrant presence in the New York art scene. Her iconic pumpkin-themed works, created after a return to Japan prompted by mental health challenges, serve as both self-portraits and symbols of endurance, embodying her admiration for the pumpkin’s humble strength and charm. These pieces, alongside a new series of paintings, will be featured in her upcoming exhibition at Victoria Miro Gallery, celebrating her remarkable legacy and ongoing creative spirit.

The upcoming Anselm Kiefer exhibition at the Royal Academy promises to be a blockbuster, filling every gallery with a combination of retrospective works and new commissions from the acclaimed German artist. Among the highlights is the monumental painting *Interior (Innenraum)*, a haunting depiction of the Mosaic Room in Hitler’s New Reich Chancellery, layered with complex materials that evoke both ancient imperial grandeur and the dark legacy of National Socialism. This evocative ambiguity is central to Kiefer’s work, challenging viewers to confront history's weight and its persistent echoes in the present. Celebrated as a profound history painter, Kiefer’s show offers a powerful and thought-provoking exploration of past and memory, opening 23 September and running through 14 December.

President Obama, known for his thoughtful gift-giving, has chosen a striking print by American pop artist Ed Ruscha as a diplomatic present on multiple occasions, gifting the same 2003 work, *Column with Speedlines*, to both British Prime Minister David Cameron and Australian Prime Minister Tony Abbott. This choice reflects not only the White House’s admiration for Ruscha—whose piece *I think maybe I’ll...* hung in the president’s official residence—but also a deeper appreciation for American contemporary art. The print supports the Foundation for Art and Preservation in Embassies, promoting permanent American artworks abroad, while symbolically blending themes of government, modernity, and classic American culture in a subtle yet meaningful gesture on the world stage.

In an era dominated by digital and drone photography, the legitimacy of photography as a source in fine art remains a lively debate rooted in the 19th century’s initial skepticism. Renowned photorealist Richard Estes stands out as an early adopter, blending photographic precision with painterly complexity in his work. The Portland Museum of Art’s retrospective, co-organized with the Smithsonian American Art Museum, offers a rare comprehensive look at Estes’ career, showcasing 50 pieces that explore urban scenes and reflective surfaces like plate-glass windows. Estes transforms transparency and reflection into intricate visual puzzles, merging interior and exterior worlds in paintings such as the iconic Teleflorist (1974), where abstraction and reality beautifully collide. Rejecting strict adherence to drawings or photographs, Estes’s approach highlights his commitment to artistic freedom and innovation, underscoring why his work remains vital and compelling.

Art as Therapy by Alain de Botton and John Armstrong challenges the notion that art is merely decorative, proposing instead that it holds real therapeutic power. This perspective is vividly embodied in projects like Mexican artist Pedro Reyes’ Sanatorium, a mobile clinic offering unexpected art-based therapies, and Marni Kotak’s raw, performance-driven Mad Meds exhibition, which chronicles her personal journey off psychiatric medication. De Botton applauds these artists for breaking free from the traditional idea that art should be obscure or purely aesthetic, highlighting a promising shift where art reconnects with its potential to heal and support the human soul. This new era of engaged, accessible art offers fresh hope for its role in our lives beyond the gallery walls.

A major exhibition at the Bauhaus-Archiv in Berlin celebrates Wassily Kandinsky, one of the Bauhaus's most influential teachers, bringing together a rich collection of his archive materials from his professorship at the school. Visitors can explore Kandinsky’s lecture notes, student exercises, and illustrations alongside his striking prints and watercolours like the 1923 ‘Joyous Ascent.’ The show highlights his evolution from his early work in Moscow to his precise geometric explorations at the Bauhaus in Dessau, including his seminal book *Point and Line to Plane*, where he delved into the profound symbolism of shapes, especially the circle as a representation of the human soul. Supported by the Société Kandinsky and world-class archives, the exhibition also features works by Bauhaus peers such as Moholy-Nagy and Paul Klee, all while the Bauhaus-Archiv undergoes exciting renovations to better serve its growing audience. This immersive look at Kandinsky’s legacy runs until September 8, inviting art lovers to reconnect with the spirit of modernist innovation.

Chinese-born artist Pei-Shen Qian, accused by the FBI of forging abstract expressionist paintings signed as Jackson Pollock and others, maintains his innocence in a revealing interview with ABC’s Nightline. Living modestly outside Shanghai after fleeing the US before charges were filed, Qian insists his works were mere copies intended for personal enjoyment, not deceitful forgeries sold as originals. Earning only about $6,000 per canvas, he denies involvement in any grand conspiracy, expressing surprise that anyone was fooled by his basic imitations of Pollock, Rothko, and contemporaries. Once part of Shanghai’s avant-garde art scene and later a struggling New York artist, Qian continues to paint but now signs only his own name, distancing himself from the infamous scandal that rocked the art world.

The restoration of the Bauhaus campus in Dessau has been completed with the sensitive reconstruction of two houses originally designed by Walter Gropius for Bauhaus artists László Moholy-Nagy and Wassily Kandinsky. Destroyed during WWII, these buildings have been thoughtfully rebuilt by Bruno Fioretti Marquez architects, who enhanced the minimalist exteriors while incorporating contemporary touches. Inside, German artist Olaf Nicolai’s installation, inspired by Moholy-Nagy’s work, adds a modern artistic dimension. Along with the renovation of a refreshment kiosk by Ludwig Mies van der Rohe, this marks the completion of a 22-year project celebrating Germany’s rich cultural heritage and the enduring legacy of Bauhaus design.

In Peter Plagens’ new book, *Bruce Nauman: The True Artist*, the author offers a rare insider’s perspective on the complex mix of admiration and envy felt by fellow artists witnessing Nauman’s groundbreaking work rise to prominence. Initially skeptical of Nauman’s photographs and installations, Plagens candidly reveals how his early doubts masked a deeper envy and growing recognition of Nauman’s revolutionary approach, which prioritized the act of making art over the finished piece. From their youthful rivalry to a lasting friendship, Plagens provides an insightful guide to Nauman’s diverse career, highlighting his bold, fearless creativity and lasting influence on the art world. With appearances at major venues like the New Museum and upcoming talks, Plagens invites readers and audiences alike to explore the lasting impact of one of contemporary art’s most daring figures.

Italian artist Monica Bonvicini boldly explores the intersections of desire, power, and cultural hierarchies through her provocative sculptures and installations, challenging traditional notions of fine art with themes drawn from fetishism and gender dynamics. Her work, including the striking "Desire" sign displayed this summer in Zurich’s Turbinenplatz as part of the Gasträume sculpture festival, invites viewers to question their own desires and positions within social constructs. Alongside the public installation, a retrospective at Zurich’s Peter Kilchmann gallery showcases evocative pieces like "Not For You" and etched-glass versions of her iconic signs, blending beauty and intimacy with elements of control and violence—an engaging confrontation with the viewer’s impulses and societal roles amplified by the artist’s distinct voice and experiences.

In 1963, photographer Charles Moore captured harrowing images of the Birmingham race riots that exposed the brutal realities of racial injustice in America, profoundly impacting the nation's consciousness. These powerful photographs caught the attention of Andy Warhol, who transformed them into his evocative "Race Riot" screen prints, part of his darker "Death and Disaster" series that explored America’s tragic undercurrents beyond his iconic pop art. Warhol’s work, shown in a 1964 Paris exhibition, challenged viewers to confront the manipulation and desensitization of media imagery, blending repetition and trauma in a haunting visual montage. Now offered at Christie’s, these prints embody Warhol’s unique political commentary and remain vital symbols of cultural unrest and artistic innovation.

MVRDV’s playful Vertical Village furniture collection, having toured globally from Hamburg to Milan, is now available for purchase. Inspired by the architects’ critique of the uniform, dense apartment blocks replacing traditional small-scale housing in fast-growing Asian cities, the range embraces individuality and creativity through colorful, stackable foam rubber pieces resembling miniature buildings. With designs like The House, The Barn, and The Curve, the collection invites users to create their own vibrant mini-cityscapes, blending whimsy with thoughtful urban commentary. While perfect for creative office spaces, Vertical Village also sparks conversation about urban living and architectural expression in an increasingly standardized world.

Brooklyn-born photographer Danny Lyon has long blended a keen, opportunistic eye with a deeply rooted radical idealism, capturing the spirit of protest and social change since the Sixties. His latest work, The Seventh Dog, offers a compelling, personal retrospective of his life and career, featuring powerful images from the Occupy movement alongside iconic series from the 60s and 70s like Bikeriders and Texas Prisons. Lyon’s commitment to immersion—often stepping beyond press boundaries to capture raw, confrontational moments—shines through in his storytelling, making this photobook a vivid journey through decades of activism and artistry, enriched by his own writings, collages, and rare photographs.

Sara Cwynar’s debut Manhattan exhibition, Flat Death, invites viewers into a nostalgic yet innovative space where forgotten product packaging and vintage printed materials are resurrected through her distinctive photographic process. Combining antiquated techniques with modern digital tools, she carefully arranges old images and objects, capturing them with a large-format camera before refining them digitally. Her work explores themes of memory, mortality, and the ephemeral nature of everyday items, blending simplicity with thoughtful composition that counters the grandiosity of monumental contemporary photography. Through her art, Cwynar captures moments that exist briefly in reality before fading away, evoking both presence and loss in a way that resonates deeply with our relationship to time and remembrance.

Danny Lyon’s The Seventh Dog is a captivating retrospective showcasing his lifelong commitment to photography as a tool for social change, rather than mere documentation. Arranged in reverse chronological order, the book journeys from his recent work back to his formative years during the Civil Rights era, revealing powerful images like the tense encounter with hostile police in Clarksdale, Mississippi, and the poised arrest of black activist Eddie Brown in 1962 Albany, Georgia. Lyon’s blend of striking black-and-white and color photos is complemented by personal writings, collages, letters, and never-before-published material, offering a deeply intimate look at his evolution as an artist and activist. The Seventh Dog not only chronicles pivotal moments in history but also reflects Lyon’s enduring spirit and the profound changes witnessed over decades, making it an essential exploration of photography’s power to document and inspire social justice.

Nan Goldin’s new book, Eden and After, reveals a lesser-known side of her work: a poignant, diary-like exploration of childhood and the intimate families within her life’s orbit over three decades. While Goldin is famed for capturing the raw edges of sex, drugs, and dysfunctional relationships, this collection shifts focus to her friends’ children, tracing their childhoods with the same honesty and emotional depth. In a candid conversation, Goldin reflects on her complex relationship with creativity, addiction, and identity, the challenges of recovery, and her evolving artistic journey, including a new ambition to venture into narrative filmmaking. Now residing in Berlin, a city that echoes the vibrant energy of 1980s New York, Goldin continues to document her “tribe,” even as she confronts loss and change. Eden and After is a tender testament to growth, memory, and the enduring human spirit seen through the lens of one of photography’s most uncompromising voices.

Danny Lyon revolutionized photography with his immersive, opinionated style known as “the new journalism,” blending vivid images with compelling narratives that reveal his radical ideals. In his autobiographical photobook *The Seventh Dog*, Lyon traces five decades of work, revealing intimate connections with his subjects—from defiant inmates at Texas prisons to members of biker gangs—through powerful photographs, letters, and collages. Stories of individuals like Billy George McCune, who fought for survival under harsh conditions, and Smiley Renton, whose troubled path took a darker turn, bring raw humanity to the fore. This richly layered collection also features Lyon’s more recent projects, including *Occupy* and *Indian Nations*, accompanied by insightful commentary, making *The Seventh Dog* a profound journey through a visionary artist’s life and lens.