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Their resolution of Eastern and Western styles is a fitting parallel to his antique readymade sculptures.\u003c\/p\u003e \u003cp\u003eAt a time when the West is finally discovering Chinese contemporary art, Ai is one of the few to have transcended the label 'Chinese artist'. In part thanks to his gallery Urs Meile (Lucerne and Beijing), Ai has won the support of strong European collectors. His work is increasingly being shown at major venues around the world (Kunsthalle Bern, Kunsthaus Graz, Tate Liverpool) and included in major international exhibitions (the Moscow Biennial, the Guangzhou Triennale, Documenta). A complex, multi-faceted artist, Ai is poised to make a deep impact on contemporary art far beyond China's borders.\u003c\/p\u003e \u003cp\u003eIn the interview Hans Ulrich Obrist discusses Ai Weiwei’s life and motivations, his childhood in a rural province close to the Russian border, his underground political work, his move to New York in the 80s and consequent return to China in the 90s, and his break within the art world. \u003c\/p\u003e \u003cp\u003eKaren Smith’s survey examines the evolution of Ai Weiwei’s work from the early paintings, drawings, and sculptures pieces through his most recent installations and architectural work, including the cotton-made sculpture \u003cem\u003eWorld Map\u003c\/em\u003e (Biennale of Sydney, 2006), the wooden doors and windows structure \u003cem\u003eTemplate\u003c\/em\u003e (Documenta 12, 2007) and his collaboration with the Swiss firm Herzog \u0026amp; de Meuron for the Beijing National Stadium for the 2008 Summer Olympics.\u003c\/p\u003e \u003cp\u003eBernard Fibicher focuses on \u003cem\u003eWorking Progress (Fountain of Light) \u003c\/em\u003e(2007), a site-specific sculpture for Tate Liverpool inspired by Tatlin’s Monument to the Third International (1919) and that takes the form of a spectacular chandelier.\u003c\/p\u003e","brand":"Phaidon Press","offers":[{"title":"Default Title","offer_id":46523618459748,"sku":"9780714848891","price":54.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0711\/5292\/6820\/files\/ai-weiwei-en-4889-3d-standing-front-3000_fa2124c8-ea99-4322-8210-9c420d77dd26.jpg?v=1783143434"},{"product_id":"stephen-shore","title":"Stephen Shore","description":"\u003cp\u003eStephen Shore, who has captured the spirit of an age in his crisp, high-key photographs, is one of contemporary art's most influential photographers.\u003c\/p\u003e","brand":"Phaidon Press","offers":[{"title":"Default Title","offer_id":46523697397860,"sku":"9780714846620","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0711\/5292\/6820\/files\/9780714846620-Stephen-Shore-3d-standing-1to1_3fa0801a-ea8e-4f19-afb5-6acb2183b3a4.jpg?v=1783143431"},{"product_id":"zhang-huan","title":"Zhang Huan","description":"\u003cp\u003eZhang Huan has emerged as one of the most important artists of the past decade, a fearless explorer of the limits of the human body and a key figure in the flourishing Chinese art scene. His earliest performances, including \u003ci\u003e12 Square Meters, 65 Kilograms, \u003c\/i\u003eand \u003ci\u003eTo Raise the Water-Level in a Fishpond\u003c\/i\u003e, subjected his body to grueling tests of endurance while addressing the relationship between physical endurance and spiritual tranquility. \u003c\/p\u003e\u003cp\u003eZhang 's move to New York in 1998 contributed to establish himself as a widely recognized figure in the international contemporary art world, staging performances in several cities around the globe, including Sydney, Rome, Shanghai and Hamburg where he reflected on his experiences in the cities he visited and his ethnic identity in a foreign land. \u003c\/p\u003e\u003cp\u003eIn 2006 Zhang established a studio in Shanghai, where he began to seek a greater connection to Chinese heritage and history. This marked a new direction in his work, as he turned from performance to sculpture, painting, and installation. Through creating large-scale sculpture in diverse media, such as ash from local Buddhist temples, and with found objects, such as doors from the Chinese countryside homes, Zhang Huan continues to explore new ways to render his interest in the body and its language.\u003c\/p\u003e\u003cp\u003eA significant aspect of Zhang's new work revolves around his interest in Buddhism. Although Buddhist themes figured indirectly into his early work, they took on a more prominent role after a visit to Tibet in 2005. There, Zhang began to collect fragments of Buddhist sculptures, which he then used as models for massive copper figures. Upon his return to Shanghai, Zhang Huan began to collect ash from local Buddhist temples for use in sculptures and paintings. The use of burnt incense, the product of religious offerings, strengthens the link between his art and Buddhist practices.\u003c\/p\u003e","brand":"Phaidon Press","offers":[{"title":"Default Title","offer_id":46523770142820,"sku":"9780714849249","price":45.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0711\/5292\/6820\/files\/9780714849249-Zhang-Huan-3d-standing-1to1_336e9848-e8b8-470f-b653-77cf155090b2.jpg?v=1783143429"},{"product_id":"nancy-spero","title":"Nancy Spero","description":"\u003cp\u003eAmerican artist Nancy Spero (b.1929) concentrates on the depiction of women: mythological women, movie women, tortured women. Inspired by classical and modern sources, she collages and imprints her contemporary goddesses on to long, papyrus-like friezes that scroll around museum walls.\u003c\/p\u003e\u003cp\u003eHer subject matter, which has ranged from the writings of Artaud to the Vietnam War, mirrors her life. Working in Paris in the cultural ferment of the 1960s, she moved to New York in the 1970s to co-establish the feminist gallery A.I.R. and to join with artists and critics such as Leon Golub, Robert Morris and Lucy R Lippard in forming the Art Workers' Coalition. Since the 1980s she has attracted international acclaim, her exquisite works giving form to feminist issues and new critical discourses.\u003cbr\u003e\u003cbr\u003eThe Survey by Jon Bird, cultural theorist and curator of the first British retrospective of Spero's work, discusses developments in her practice since the 1950s. Contemporary art scholar and critic Jo Anna Isaak talks with the artist about her life and work. Art historian Sylvere Lotringer, Edtior of Semiotext(e) and author of \u003cem\u003eOverexposed\u003c\/em\u003e, focuses on her 1993 installation at the Whitney Museum of American Art. In recognition of the impact Stanley Kubrick's \u003cem\u003eDr Strangelove\u003c\/em\u003e made on her, Spero has chosen a scene from the screenplay; key excerpts from \u003cem\u003eGynesis: Configurations of Woman and Modernity\u003c\/em\u003e by feminist theorist Alice Jardine on the place of women in a patriarchal culture complete the Artist's Choice section. Also included are a selection of Spero's own writings, many published here for the first time.\u003c\/p\u003e","brand":"Phaidon Press","offers":[{"title":"Default Title","offer_id":46523799044196,"sku":"9780714833408","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0711\/5292\/6820\/files\/9780714833408-Nancy-Spero-3d-standing-1to1_1bb641b6-f9ff-4027-a1a8-00cdc8f404c5.jpg?v=1783143438"},{"product_id":"mark-dion","title":"Mark Dion","description":"Mark Dion (b.1961) is an American artist who, in making his art, metamorphoses into explorer, biochemist, detective and archaeologist. In his gallery installations around Europe and America since the 1980s, Dion has constructed the laboratories, experiments and museum caches of the great historical naturalists - following in their footsteps in his own adventurous, eco-inspired journeys to the tropics. His research and magical collections are presented in installational still lifes that combine taxidermic animals with lab equipment artefacts, like walk-through Wunderkammers and life-sized cabinets of curiosity.\u003cbr\u003e\u003cbr\u003eLias Graziose Corrin, Director of the Williams College Museum of Art, surveys Dion's most significant works and his ongoing investigations into natural history's obsession with categorizing nature. Critic and theorist Miwon Kwon talks to the artist about the interface between ecology and culture and the phenomenon of site-specific art. Norman Bryson, Professor of Art History at the University of California, San Diego, makes an iconographical analysis of \u003cem\u003eThe Library for the Birds of Antwerp\u003c\/em\u003e, an indoor sculpture Dion constructed for 18 live African finches in 1993. The artist has selected a text by novelist Jon Berger, one of the first post-war thinkers to analyze the position of animals in a capitalist society. The book also features Dion's own provocative, witty and often lyrical writing on nature and his role as an artist engaged in environmental issues.","brand":"Phaidon Press","offers":[{"title":"Default Title","offer_id":46523938275428,"sku":"9780714836591","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0711\/5292\/6820\/files\/9780714836591-Mark-Dion-3d-standing-1to1_a797b216-eae6-4661-b58e-cee84e50a0d0.jpg?v=1783143432"},{"product_id":"chris-johanson","title":"Chris Johanson","description":"\u003cp\u003eA comprehensive look at the thought-provoking, eye-catching and mind-expanding work of this visionary West Coast artist.\u003c\/p\u003e","brand":"Phaidon Press","offers":[{"title":"Default Title","offer_id":46523985789028,"sku":"9780714856940","price":59.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0711\/5292\/6820\/files\/9780714856940-Chris-Johanson-3d-standing-1to1_60e4fce4-64c1-4f18-a178-87194110080f.jpg?v=1783143431"},{"product_id":"anri-sala","title":"Anri Sala","description":"\u003cp\u003eAnri Sala (b. 1974) creates hauntingly simple videos that explore the roles language and vision play in fractured contemporary society.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eAnri Sala is represented by Galerie Chantal Crousel (Paris), Hauser \u0026amp; Wirth (Zurich\/London) and Marian Goodman Gallery (New York).\u003c\/p\u003e","brand":"Phaidon Press","offers":[{"title":"Default Title","offer_id":46524011544676,"sku":"9780714845272","price":45.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0711\/5292\/6820\/files\/9780714845272-Anri-Sala-3d-standing-1to1_e497c0fe-9ece-423c-be56-03f7cf7b556c.jpg?v=1783143428"},{"product_id":"simon-starling","title":"Simon Starling","description":"When Marcel Duchamp shipped Constantin Brancusi's sculpture \u003cem\u003eBird in Space\u003c\/em\u003e to Edward Steichen in 1926, New York customs officials refused to accept that it was a work of art, instead levying the standard import tariff for a manufactured object. A legal battle ensued, with the courts eventually declaring \u003cem\u003eBird in Space\u003c\/em\u003e an artwork and therefore exempt from the tariff. Seventy-eight years later, visitors to Simon Starling's exhibition at New York's Casey Kaplan Gallery were confronted with Staling's own \u003cem\u003eBird in Space\u003c\/em\u003e (2004): a two-ton slab of steel from Romania (Brancusi's country of origin) leaning against the gallery wall and propped up on three inflatable cushions. The United States had recently introduced a new import tax of twenty per cent on foreign metals, which Starling circumvented by labelling this unaltered chunk of European steel a work of art. Its plinth of cushioned air not only introduced a second, more representational valance to the work but also brought to bear the traditional sculptural parameters of weight, gravity and balance.\u003cbr\u003e \u003cbr\u003e Starling's art frequently traffics in deception. It also traffics in traffic, meaning the circulation of goods, knowledge and people (usually the artist himself).  Many of his works circle back on themselves, taking an idea on a journey that ends at its point of origin. \u003cem\u003eWilhelm Noack oHG\u003c\/em\u003e (2006), for example, is an elaborate helical steel structure designed to loop a thirty-five-millimetre film of the workshop in which it was fabricated. The circuitous path that the film takes through the towering metal structure is the perfect visual metaphor for the work's own circular logic, a self-regulating system that adds up to much more than the sum of its parts.\u003cbr\u003e \u003cbr\u003e Starling is a key figure in one of contemporary art's most significant recent developments: the linking of artistic practice and knowledge production. Although this tendency flourished with Conceptual art in the 1960s and 1970s, in recent years it has taken on a new intensity. Unlike the Conceptual artists, however, many of whom strove for a language-based dematerialized art, for Starling the object is always at the work's heart. Economies, ecologies, coincidences and convergences are all simply means to an end - although 'simply' may be the wrong word to describe the transformation of thousands of miles of travel and hundreds of years of history into a single sculpture, film or photograph.\u003cbr\u003e \u003cbr\u003e Starling's other predecessors are the Land artists, such as Robert Smithson, with whom he shares a fascination with entropy and other natural forces. But he is truly an artist of the current age, setting out to understand and illustrate the complex processes through which the natural and human-made realms interact. The five platinum\/palladium prints that constitute \u003cem\u003eOne Ton\u003c\/em\u003e (2005) show a single view of a South African platinum mine. Together the five prints contain the precise amount of platinum salts that can be derived from one ton of ore, succinctly illustrating the enormous amount of energy required in the extraction of precious metals.\u003cbr\u003e \u003cbr\u003e Born in England in 1967 and now living in Denmark, Starling has been the subject of solo exhibitions at museums around the world, including the Hiroshima City Museum of Art (2011), Kunstmuseum Basel (2005) and the Museum of Contemporary Art in Sydney (2002), and his work has been featured in major international group shows, such as the Venice Biennale (2009), the Moscow Biennial (2007) and the São Paulo Biennial (2005).  Awards include the Turner Prize (2005), the Blinky Palermo Prize (1999) and the Paul Hamlyn Foundation Award for Artists (1999). \u003cbr\u003e \u003cbr\u003e In the Survey, Dieter Roelstraete presents a comprehensive overview of Starling's work, examining circularity and serendipity and the their relationship to historical research. For the Interview, Francesco Manacorda and the artist discuss the central role of time in his work. Janet Harbord's Focus scrutinizes \u003cem\u003eWilhelm Noack oHG\u003c\/em\u003e (2006) as an example of material cinema. Artist's Choice is a extract from Flann O'Brien's 1996 novel \u003cem\u003eThe Third Policeman\u003c\/em\u003e, a fantastical conversation about bicycles swapping atoms with their riders. Artists Writings include five project statements, all of which consist, in varying proportions, of history, science and speculative fiction.","brand":"Phaidon Press","offers":[{"title":"Default Title","offer_id":46524071608420,"sku":"9780714864198","price":49.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0711\/5292\/6820\/files\/9780714864198-Simon-Starling-3d-standing-1to1_3a81c05e-ba08-4a9f-866b-1c0bc017ab87.jpg?v=1783143430"},{"product_id":"roni-horn","title":"Roni Horn","description":"\u003cp\u003eAmerican artist Roni Horn (b.1955) is revered around the globe for the understated force of her beautifully composed works of art. She has concentrated on a small, highly personal selection of subjects. For instance, the tradition of Minimalist sculpture and our response to it is transferred with great sensitivity into her artwork. \u003ci\u003eAsphere III\u003c\/i\u003e, for example, looks like a solid copper sphere: in fact it is slightly distorted and thus asymmetrical. Horn frustrates our notions of contemporary sculpture, sharpening our awareness of experiencing the work and offering a heightened sense of environment and presence in the world.\u003c\/p\u003e\u003cp\u003eHorn's care for detail and poetic subtlety have made her one of the world's most respected artists.  Her use of poetry - such as William Blake's \u003ci\u003eTyger, Tyger\u003c\/i\u003e or works by Emily Dickinson and Wallace Stevens - contradict the mass-produced look of the sculptures. One work, \u003ci\u003eYou Are the Weather\u003c\/i\u003e (1994-5) involves numerous photographs of a young woman in the hot springs of Iceland. In this series of many nearly identical portraits with slight, barely perceptible differences in natural lighting, Horn mimics the serialization of Minimalist art for highly personal, even erotic imagery.\u003cbr\u003e\u003cbr\u003eIndependent curator and editor Louise Neri examines in her Survey the intricate themes and structures of Horn's complex body of work, which never the less retains its simplicity and directness. New-York-based curator Lynne Cooke discusses with the artist the recurring conceptual concerns across different media. Belgian art theorist Theirry de Duve focusses on the enigma of identity in the photographic installation \u003cem\u003eYou Are the Weather \u003c\/em\u003e(1994-5), a series of 100 nearly identically composed portraits of a young woman bathing in Iceland, which reveal varying locations, emotions and atmospheric conditions to the attentive viewer. The artist has selected a short extract from the story 'The Apple in the Dark' (1967) by the Jewish Ukranian-born Brazilian novelist Clarice Lispector (1920-77). For Lispector, as for Horn, intense attention to objects and places is combined with a careful study of the role of language in perception. This volume contains the most comprehensive collection yet published of Roni Horn's eloquent writing on her own work and its influences.\u003c\/p\u003e","brand":"Phaidon Press","offers":[{"title":"Default Title","offer_id":46524091531364,"sku":"9780714838656","price":45.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0711\/5292\/6820\/files\/9780714838656-Roni-Horn-3d-standing-1to1_874f9310-61f9-4c76-a96f-68ae61620d61.jpg?v=1783143432"},{"product_id":"bernar-venet","title":"Bernar Venet","description":"\u003cp\u003e\u003cstrong\u003eThe first true monograph on the work of celebrated French conceptual artist and sculptor Bernar Venet\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eBernar Venet is one of France's most celebrated living artists. Having emerged from the late 1960s avant-garde scene in New York, Venet developed a personal aesthetic based on an innovative use of mathematics and science, where control, chance, and chaos converge to form a fine equilibrium while investigating their relationship with the environment. \u003c\/p\u003e\u003cp\u003eConversant in many media, Venet is mostly known for his monumental outdoor sculptures in major cities worldwide and, in fall 19, his Arc Majeur is due for completion at a site in Belgium - at almost 200 feet in height (60 meters), Venet's sculpture will be taller than New York's Statue of Liberty.\u003c\/p\u003e","brand":"Phaidon Press","offers":[{"title":"Default Title","offer_id":46524252684388,"sku":"9780714877617","price":49.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0711\/5292\/6820\/files\/Bernar-Venet-EN-7761-Standing-1to1_050a48dd-9847-48f4-8ebf-19aab0660cf5.jpg?v=1783143436"},{"product_id":"peter-fischli-david-weiss","title":"Peter Fischli, David Weiss","description":"\u003cp\u003ePeter Fischli and David Weiss are a Swiss artistic duo who first began working together in the late 1970s. Their internationally renowned sculpture, video and photographic works look at everyday life and its conceptions of beauty and pleasure, forming an innocent, unpredictable world utterly unique in contemporary art\u003c\/p\u003e\u003cp\u003ePeter Fischli and David Weiss’ work has been seen at such key international exhibitions as documenta 8 (1987) and X (1997), the Biennales of Sydney (1990, 1998) and Sao Paulo (1989) and the Carnegie International, Pittsburgh (1988), among many others. 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She creates large series of indexical works - drawings, images, text panels, photographs - which combine investigations into the diverse relations between psychoanalysis, feminism and art.\u003c\/p\u003e\u003cp\u003eKelly often deploys prevailing literary or scientific genres, ranging from romantic fiction to psychoanalytical and medical diagnoses that define women as 'other'. She subtly yet insistently turns them on their head with her own richly textured narratives and images. While phases in her work have been represented in catalogues, Kelly's complete oeuvre has never been published before in its entirety.\u003cbr\u003e\u003cbr\u003eIn the Survey, art historian Margaret Iverson explores Kelly's substantial oeuvre using three classical yet contentious Freudian themes: fetishism, hysteria and paranoia. Author of \u003cem\u003eOn the Museum's Ruins \u003c\/em\u003eand numerous articles on AIDS, Douglas Crimp talks with the artist about her work within a broader critical context. 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In addition to key texts, this book includes interviews and examples of her fiction from \u003cem\u003eInterim\u003c\/em\u003e.\u003c\/p\u003e","brand":"Phaidon Press","offers":[{"title":"Default Title","offer_id":46524314452068,"sku":"9780714836614","price":45.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0711\/5292\/6820\/files\/9780714836614-Mary-Kelly-3d-standing-1to1_578e16d7-4c43-42c4-92b4-cf3809be0cc6.jpg?v=1783143433"},{"product_id":"gillian-wearing","title":"Gillian Wearing","description":"\u003cp\u003eBritish artist Gillian Wearing, winner of the 1997 Turner Prize, uses photography and video to explore the intimacies and complexities of everyday life. Borrowing from popular culture, her work is disturbing and confessional. In 1992 she began the acclaimed series \u003cem\u003eSigns that say what you want them to say and not Signs that say what someone else wants them to say'\u003c\/em\u003e, in which random passers-by are photographed holding messages they've written, such as the mild-mannered young businessman whose sign unexpectedly reads 'I'm Desperate'.\u003c\/p\u003e\u003cp\u003eWearing's work borrows from familiar forms of popular culture to produce direct, revealing records of deep-seated human trauma and emotion, often adopting the methods of television documentaries for her 'fly-on-the-wall' view of people's lives. Her videos can be alarming, as in\u003ci\u003e Confess All ... \u003c\/i\u003ein which masked individuals confess their darkest secrets, or humorous, as in \u003ci\u003e(Slight) Reprise \u003c\/i\u003e- a sampler of adults playing 'air guitar' in the fantasy rock stadium of their bedrooms. Her art can be disconcerting or uplifting: an honest portrait of the many sides to contemporary life.\u003c\/p\u003e\u003cp\u003eWith exhibitions in Britain, the US, Europe and Japan, Wearing is among the best-known and most internationally recognized of the recent generation of British artists. This is the first publication ever to survey this remarkable young artist's gripping work in its entirety.\u003cbr\u003e\u003cbr\u003eRussell Ferguson of UCLA's  Hammer Museum contextualizes Wearing's work in relation to historical precedents in painting, photography and video art. Curator at the Whitney Museum of American Art Donna De Salvo discusses with the artist her collaborative approach towards her work and its subjects. London-based critic John Slyce focuses on Wearing's work 10-16, a remarkable video installation that charts our transition from childhood to adolescence. 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Stephen Shore chose \u003cem\u003eJuly 22, 1969\u003c\/em\u003e.\u003c\/p\u003e\u003cp\u003eHaving spent three years documenting Warhol’s Factory Shore had been exposed to the conceptual and serial practices that were transforming art in New York and beyond. With \u003cem\u003eJuly 22, 1969\u003c\/em\u003e he made his first foray into the deadpan seriality that would become his trademark. Shot at thirty-minute intervals over the course of twenty-four hours, \u003cem\u003eJuly 22, 1969\u003c\/em\u003e follows Shore’s friend Doug Marsh through an unremarkable day in Amarillo, Texas. \"I looked at the second hand on my watch,\" Shore explains. \"I didn’t want to wait for a good moment to take the photograph around that time. I wanted to do it at exactly that time.\"\u003c\/p\u003e\u003cp\u003eThis dramatic shift in intentionality and interest paved the way for his color series \u003cem\u003eAmerican Surfaces\u003c\/em\u003e, which he began in 1972, again on a trip to Amarillo. 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