About the book
Composers and artists have always borrowed from each other. Peter Vergo, for the first time, offers an in-depth study of how and why, in the modernist era, music and painting became intertwined.
Artist-composer relationships examined include Debussy’s interest in Whistler, Tuner, and Monet, Franz Liszt’s fascination with Raphael and Michelangelo, Kandinsky with Schoenberg and Paul Klee’s influence from Polyphonic music.
The Music of Paintingexplores how artists attempted to translate musical rhythms, and structures into painting and how musicians developed visual themes.