Labour, Work and Architecture

Collected Essays on Architecture and Design


An anthology of writings by esteemed architectural critic Kenneth Frampton.


Kenneth Frampton


Editions:

Price: USD$49.95

This anthology of writings by the architectural critic Kenneth Frampton brings together his most influential essays from the last 35 years. The essays focus on twentieth-century architecture, dealing with diverse themes and movements, built works and the architects responsible for these buildings.

The writings are presented in clear chronological order within three sections - Theory, History, and Criticism - which together serve to identify modern architecture in its broader cultural and historical context. The compilation assimilates early critical reviews from the 1960s and 70s analysing contemporary buildings, as well as lengthier pieces covering architecture and the ideological circumstances in which buildings are produced.

As a collection, Labour, Work and Architecture is an essential document in the historiography of twentieth-century architecture, composed by a highly respected and readable scholar committed to the nuanced understanding and real improvement of our built environment.



SPECIFICATIONS:

Format: Hardback
Size: 245 x 172 mm (9 5/8 x 6 3/4 in)
Pages: 352 pp
Illustrations: 91 illustrations
ISBN: 9780714840802

Kenneth Frampton is an internationally respected architectural critic who holds the Ware Professorship in Architecture at Columbia University, New York. He lectures extensively in the US and Europe, and has also written, edited and contributed to numerous publications on contemporary architecture. He is the author of Modern Architecture: A Critical History, Studies in Tectonic Culture and Álvaro Siza (Phaidon, 2000).

"For his entire career Mr Frampton has looked beneath the aesthetic surface of buildings in search of deeper meanings..."—Paul Goldberger, The New York Times

"For his entire career Mr Frampton has looked beneath the aesthetic surface of buildings in search of deeper meanings..."—Paul Goldberger, The New York Times

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