American Pioneers
A survey of the American composers who invented new musical languages.
Alan Rich
- The first survey of the American composers who invented new musical languages from the turn of the 20th century
- Includes the early pioneering flair of Charles Ives and, later, Henry Cowell and John Cage
- Examines the work of Carl Ruggles, Edgard Varese, Harry Partch, Colin McPhee and Lou Harrison
Paperback
156 x 220 mm, 6 1/8 x 8 5/8 in
240 pp
80 black and white illustrations
ISBN 9780714831732
0714831735
A spirit of innovation has flourished in American music since the turn of the twentieth century, with composers keen to diverge from European influences and invent new musical languages.
Charles Ives captured this early pioneering flair, taken up later by Henry Cowell and John Cage - all initially met with much critical resistance. The same exploratory driving force is equally strong in the music of Carl Ruggles, Edgard Varèse, Harry Partch, Colin McPhee, Lou Harrison and members of America's youngest composing generation.
This volume traces the development of this boundary-breaking musical verve through a series of daring composers, whom we now recognize as established, as without them the music of today would not be the same.
Alan Rich is an American critic with a passion for contemporary music. He writes for the Los Angeles Weekly and is author of a number of books and a series of interactive music programs for computers.
'Smoothly executed. The chapter on Cage may well be the best introduction to his thought and work in English.'
(Gramophone)
'... has a subtle but insistently inquiring approach to biography and details of artistic development. Alan Rich sets out the facts on early-20th-century music with clarity as well as providing a succinct summary of the background of the rise of concert music in the cultured urban classes if the west coast in the 19th century.' (Musical Times)
'As a series, Phaidon's
20th Century Composers has brought remarkable variety and a welter of information, both necessary and delightfully trivial. Intended both for the general reader and for the more enthusiatically musical...'
(The Scotsman)